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Time-of-day perception in paintings
Quantifying the spatial, temporal, angular and spectral structure of effective daylight in perceptually meaningful ways
Soft like velvet and shiny like satin: Perceptual material signatures of fabrics depicted in 17th century paintings
Painterly depiction of material properties
If painters give you lemons, squeeze the knowledge out of them: A study on the visual perception of the translucent and juicy appearance of citrus fruits in paintings
Effects of light map orientation and shape on the visual perception of canonical materials
Understanding gloss perception through the lens of art: Combining perception, image analysis, and painting recipes of 17th century painted grapes
Comparison of three 3D scanning techniques for paintings, as applied to Vermeer’s ‘Girl with a Pearl Earring’
Asymmetric perceptual confounds between canonical lightings and materials
Estimating the Illumination Direction From Three-Dimensional Texture of Brownian Surfaces
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