Design and analysis of cable-driven parallel robot CaRISA: A cable robot for inspecting and scanning artwork

Development of new imaging techniques for the study and interpretation of late Rembrandt paintings

Visual Analysis of RIS Data for Endmember Selection

Subsurface Analysis of Oil Paintings by Means of Scanning Macro-XRF

Examination of historical paintings by state-of-the-art hyperspectral imaging methods: From scanning infra-red spectroscopy to computed X-ray laminography

The skin of Van Gogh's paintings

Revealing hidden paint layers in oil paintings by means of scanning macro-XRF: A mock-up study based on Rembrandt's “An old man in military costume”

Cable Robots as Conventional Linear Stage Alternatives for the Investigation of Complex-Shaped Objects via Macroscopic X-ray Fluorescence Imaging

MA-XRF for Historical Paintings: State of the Art and Perspective

SEM-EDX hyperspectral data analysis for the study of soil aggregates

Can deep learning assist automatic identification of layered pigments from XRF data?

Dutch or Iranian? Technical study of a seventeenth-century painting on paper from Gesina Ter Bosch’s scrapbook

Hidden mysteries in ancient Egyptian paintings from the Theban Necropolis observed by in-situ XRF mapping

Comparison of macro x-ray fluorescence and reflectance imaging spectroscopy for the semi-quantitative analysis of pigments in easel paintings: A study on lead white and blue verditer

XRFast a new software package for processing of MA-XRF datasets using machine learning

Unveiling the paint stratigraphy and technique of Roman African polychrome statues

The role of smalt in complex pigment mixtures in Rembrandt’s Homer 1663: combining MA-XRF imaging, microanalysis, paint reconstructions and OCT

Sunset and moonshine: Variable blue and yellow pigments used by Caspar David Friedrich in different creative periods revealed by in situ XRF imaging

Data intrinsic correction for working distance variations in MA-XRF of historical paintings based on the Ar signal

Separating two painting campaigns in Saul and David, attributed to Rembrandt, using macroscale reflectance and XRF imaging spectroscopies and microscale paint analysis