The Making of Fin de Copenhague & Mémoires: The tactic of détournement in the collaboration between Guy Debord and Asger Jorn

In the works of Guy Debord and Asger Jorn, durnement played an essential role in the construction of art during the early stages of the SI (Situationist International). For the Situationists durnement was used to create political statements rather than art. In order to explain this topic I will start with a brief description of both Guy Debords...

From Shady Heritage towards an Architecture of Frictional Empathy

Following an in-depth investigation into contemporary heritage practice, the project intervenes on the Parc Chanot which hosted Marseille’s two colonial exhibitions. The design seeks to resurface taboo histories to enable history to be learned from. Through this project, I have queried the role of architects as curators of history and sought to...