Searched for: subject%3A%22perception%22
(1 - 5 of 5)
document
Van Doorn, A.J. (author), Koenderink, J.J. (author), Leyssen, M.H.R. (author), Wagemans, J. (author)
We study the effect of stylistic differences on the nature of pictorial spaces as they appear to an observer when looking into a picture. Four pictures chosen from diverse styles of depiction were studied by 2 different methods. Each method addresses pictorial depth but draws on a different bouquet of depth cues. We find that the depth...
journal article 2012
document
Van Doorn, A.J. (author), Wagemans, J. (author), De Ridder, H. (author), Koenderink, J.J. (author)
A "picture" is a at object covered with pigments in a certain pattern. Human observers, when looking "into" a picture (photograph, painting, drawing, . . . say) often report to experience a three dimensional "pictorial space." This space is a mental entity, apparently triggered by so called pictorial cues. The latter are sub-structures of color...
conference paper 2011
document
Wagemans, J. (author), Van Doorn, A.J. (author), Koenderink, J.J. (author)
In the physical environment familiar size is an effective depth cue because the distance from the eye to an object equals the ratio of its physical size to its angular extent in the visual field. Such simple geometrical relations do not apply to pictorial space, since the eye itself is not in pictorial space, and consequently the notion ...
journal article 2011
document
Van Doorn, A. (author), Koenderink, J. (author), Wagemans, J. (author)
We address the topic of “pictorial depth” in cases of pictures that are unlike photographic renderings. The most basic measure of “depth” is no doubt that of depth order. We establish depth order through the pairwise depth-comparison method, involving all pairs from a set of 49 fiducial points. The pictorial space for this study was evoked by a...
journal article 2011
document
Wagemans, J. (author), Van Doorn, A.J. (author), Koenderink, J.J. (author)
We propose a novel method to probe the depth structure of the pictorial space evoked by paintings. The method involves an exocentric pointing paradigm that allows one to find the slope of the geodesic connection between any pair of points in pictorial space. Since the locations of the points in the picture plane are known, this immediately...
journal article 2011
Searched for: subject%3A%22perception%22
(1 - 5 of 5)