As labor increasingly takes place solely in the confines of a laptop screen, the office as a building type seems almost redundant. At the same time the profitability of data collected of consumption puts conventional understandings of value production under question. How does information become valuable, and how should we think of value to begin with? The project employs an understanding of value as a qualitative, subjective excess effect of life that can only be quantified as profit through the production of metrics that make it compatible with the field of economy. Helsinki Central Station provides a case study of an intensely public site where original functions have been gradually replaced by opportunities for consumption that economize its life-value. The goal of the project is to counter these processes of capture and re-intensify the experience of moving through the terminal building. Focusing on the habit of voyeurism, the project speculates new constraints to put travellers into unexpectedly close relations to intensify the station’s singular quality as a composite of strangers in a certain rhythmic movement.