Subjects as Effects of Affects

A Pedagogy of the Senses

Book Chapter (2026)
Author(s)

A. Radman (TU Delft - Architecture and the Built Environment)

Research Group
Theory, Territories & Transitions
DOI related publication
https://doi.org/10.5040/9781350528635.ch-5 Final published version
More Info
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Publication Year
2026
Language
English
Research Group
Theory, Territories & Transitions
Pages (from-to)
97-112
Publisher
Bloomsbury Academic
ISBN (print)
978-1-3505-2860-4
ISBN (electronic)
['978-1-3505-2861-1', '978-1-3505-2862-8', '978-1-3505-2863-5']
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Abstract

The Affect Theory challenges the alleged primacy of the ‘physical’ world. We engage with a world replete with capacities, tendencies and values, not with an aggregate of objects. In the Nietzschean tenor, there is no antonym for the word ‘value’, and it can certainly not be found in the word ‘fact’. The emphasis is on the encounter, where experience is seen as an emergence that returns the body to a process field of exteriority. Sensibility introduces an aleatory moment into the development of thought and turns contingency into the very condition for thinking. Not only does this upset logical identity and opposition, but it also places the limit of thinking beyond any dialectical system. Thought cannot activate itself by thinking; it must be provoked. Art and architecture may provide such provocation. If to think differently one has to feel differently, and if the ultimate purpose of design is to change us, then architecture is a ‘psychotropic practice’ that modulates and compels routines of subjectification. This makes the concept of affect fundamentally transindividual.
The chapter seeks to invigorate radical empiricism as a means of tapping not into the solipsistic world of design, but into the relation of exteriority – the design of the world. Such anti-representational disposition resonates strongly with Félix Guattari’s Ethico-Aesthetics, or eco-logical ‘power-to’ experimentation, that seeks to challenge all-too-reductionist ego-logical conceptions of ‘power-over’ relations. The chapter juxtaposes three conceptual triads related to feeling, acting and learning: Charles Sanders Peirce’s Firstness, Secondness and Thirdness; James Jerome Gibson’s Ambient Optic Array, Occluding Edge and Affordance; and Gilles Deleuze’s three syntheses of time. The concept of affect, as a near synonym of affordance, becomes indispensable in overcoming the subject/object opposition by tying sensibility to sense, and matter to manner. The main thesis is inspired by Gilbert Simondon’s formula that knowledge of individuation is itself the individuation of knowledge.

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