Summaries of re-constituted history

Tracing the continuities in Modern Restoration

Student Report (2023)
Authors

S. Ray (TU Delft - Architecture and the Built Environment)

Supervisors

Ivan Nevzgodin (TU Delft - Heritage & Architecture)

Faculty
Architecture and the Built Environment, Architecture and the Built Environment
Copyright
© 2023 Snigdha Ray
More Info
expand_more
Publication Year
2023
Language
English
Copyright
© 2023 Snigdha Ray
Graduation Date
20-04-2023
Awarding Institution
Delft University of Technology
Project
Architectural History and Theory
Programme
Architecture, Urbanism and Building Sciences
Faculty
Architecture and the Built Environment, Architecture and the Built Environment
Reuse Rights

Other than for strictly personal use, it is not permitted to download, forward or distribute the text or part of it, without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license such as Creative Commons.

Abstract

The Old Pinakothek, with its progressive concept, became a model for many 19th -century museums. Completed in 1846, by Leo von Klenze, the structure was severely damaged post-war. Its first restoration plans included a complete tear-down and a new master plan. Hans Döllgast fought for its preservation and state of history, adding a method of plain textured exposed brickwork as a commitment to the present, consequently giving rise to a new perspective of ruin conservation. Creative approaches of re-constitution that involve analyzing a monumental space and its history with a focus on reconstruction that is strategic, have brought a shift in the way one can approach architecture since the 1890s. The unconventional philosophy and strategic craftsmanship serve as an inventory of practices that have inspired architecture in Berlin and across Europe today.

Keywords: Modern restoration, Creative re-building, Analytical futures, Alte Pinakothek, Repair, Craftsmanship

Files

License info not available