The Eighteenth-Century Art Market and the Northern and Southern Netherlandish Schools of Painting

Together or Apart?

Book Chapter (2024)
Author(s)

E Korthals Altes (TU Delft - History, Form & Aesthetics)

Research Group
History, Form & Aesthetics
DOI related publication
https://doi.org/10.5117/9789463728140_ch15
More Info
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Publication Year
2024
Language
English
Research Group
History, Form & Aesthetics
Pages (from-to)
329-347
ISBN (print)
978-94-6372-814-0
ISBN (electronic)
978-90-4855-301-3
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Abstract

To what extent did the international art market contribute to the shaping of the concept of schools of painting, in particular the northern and southern Netherlandish schools? By studying the structure of auction catalogues, collection catalogues, art literature, and several other sources, this essay considers the important changes that took place around 1740–1760. During this period, both Dutch and French art dealers tried to expand the canon of Netherlandish art in France. The subdivision of the ‘École flamande’ into the ‘Écoles flamande et hollandoise’ was probably part of a strategy to sell paintings by northern Netherlandish masters who were still relatively unknown in France at the time.