Experience between the lines

A study on the visitors’ experience in the Jewish Museum Berlin by Daniel Libeskind

Student Report (2021)
Author(s)

J. van Driesum (TU Delft - Architecture and the Built Environment)

Contributor(s)

Sabina Tanović – Mentor (TU Delft - Teachers of Practice / A)

Faculty
Architecture and the Built Environment
Copyright
© 2021 Joost van Driesum
More Info
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Publication Year
2021
Language
English
Copyright
© 2021 Joost van Driesum
Coordinates
52.50233086449412, 13.395406151979525
Graduation Date
30-04-2021
Awarding Institution
Delft University of Technology
Project
Architectural History Thesis
Programme
Architecture, Urbanism and Building Sciences
Faculty
Architecture and the Built Environment
Reuse Rights

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Abstract

The Holocaust is one of the most horrendous events in history, therefore people should be educated on the topic to create remembrance. Museums are the designated places for this; however, traditional museums are not most suited. According to neurophysiology, re-imagining and emotional connection are most important to make people remember. New memorial museums or countermonuments provide in this new type of museum, with the Jewish Museum Berlin by Daniel Libeskind being one of the first and with that experimental examples. Daniel Libeskind supported his design with a paper called ‘Between the Lines’ where he explains the concept of the design writing he tried to create a building of contemplation and memory. His design is focused on creating a haptic experience, especially at the underground level with several highly experiential spaces. According to most experts, architects and ‘normal’, he succeeded in this task and created a museum that speaks to the emotions, especially in those spaces that make the visitors think and create a lasting memory. Hereby he provided a museum that makes people never forget the horrors of the Holocaust.

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