Saving Face: Shared experience and dialogue on social touch, in playful smart public space

Book Chapter (2019)
Author(s)

Karen Lancel (TU Delft - System Engineering)

F. Brazier (TU Delft - System Engineering)

Hermen Maat (Art and science research duo Lancel/Maat)

Research Group
System Engineering
Copyright
© 2019 K.A. Lancel, F.M. Brazier, Hermen Maat
DOI related publication
https://doi.org/10.1007/978-981-13-9765-3_9
More Info
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Publication Year
2019
Language
English
Copyright
© 2019 K.A. Lancel, F.M. Brazier, Hermen Maat
Research Group
System Engineering
Bibliographical Note
Green Open Access added to TU Delft Institutional Repository ‘You share, we take care!’ – Taverne project https://www.openaccess.nl/en/you-share-we-take-care Otherwise as indicated in the copyright section: the publisher is the copyright holder of this work and the author uses the Dutch legislation to make this work public.@en
Pages (from-to)
179-203
ISBN (print)
978-981-13-9764-6
ISBN (electronic)
978-981-13-9765-3
Reuse Rights

Other than for strictly personal use, it is not permitted to download, forward or distribute the text or part of it, without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license such as Creative Commons.

Abstract

Can shared experience and dialogue on social touch be orchestrated in playful smart public spaces? In smart city public spaces, in which physical and virtual realities are currently merging, new forms of social connections, interfaces and experiences are be- ing explored. Within art practice, such new connections include new forms of affective social communication with additional social and sensorial connections to enable and enhance empathic, intimate experience in playful smart public space.
This chapter explores a novel design for shared intimate experience of playful social touch in three orchestrations of ‘Saving Face’, in different cultural and geographical environments of smart city (semi-) public spaces, in Beijing, Utrecht, Dessau-Berlin. These orchestrations are purposefully designed to create a radically unfamiliar sensory synthesis to disrupt the perception of ‘who sees and who is being seen, who touches and who is being touched’. Participants playfully ‘touch themselves and feel being touched, to connect with others on a screen’. All three orchestrations show that shared experience and dialogue on social touch can be mediated by playful smart cities tech- nologies in public spaces, but rely on design of mediated, intimate and exposed forms of ‘self-touch for social touch’, ambivalent relations, exposure of dialogue and hosting.

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