Development of new imaging techniques for the study and interpretation of late Rembrandt paintings
Petria Noble (Royal Picture Gallery Mauritshuis)
Annelies van Loon (Royal Picture Gallery Mauritshuis, TU Delft - OLD Virtual Materials and Mechanics)
G.R. van der Snickt (Universiteit Antwerpen)
Koen Janssens (Universiteit Antwerpen)
Matthias Alfeld (Deutsches Elektronen-Synchrotron DESY)
J Dik (TU Delft - OLD Virtual Materials and Mechanics)
More Info
expand_more
Other than for strictly personal use, it is not permitted to download, forward or distribute the text or part of it, without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license such as Creative Commons.
Abstract
Recent macro-XRF scanning of Rembrandt’s Selfportrait from 1669 in the Mauritshuis – as part of the ReVisRembrandt project – has revealed significant
new information about the pigments and build-up of the painting. The elemental distribution maps make clear that the umber-rich ground plays a very important role in the final appearance of this painting, information that is highly relevant for the study of this self-portrait, as well as many other late Rembrandt paintings. It was also possible and infrared imaging, it is anticipated macro-XRF
scanning will become an important diagnostic tool for conservators and art historians alike. to image the presence of organic lakes (by means of the potassium map) and bone black (by means of the calcium and phosphorus maps) in the upper paint layers. In addition to conventional investigative techniques, such as x-radiography and infrared imaging, it is anticipated macro-XRF scanning will become an important diagnostic tool for conservators and art historians alike.