Public opera

Abstract

Today, we have a variety of options for listening to music whenever and wherever we choose, from CDs and the radio to downloads and online streaming. But prior to the development of this technology, how did people listen to music? Opera was an artform whereby this was possible. No instrument has the power of the human voice to reach the deepest feelings of the human spirit. It is a way to entertain and move people with vocal sounds, supported by an orchestral. Today the day, opera is a pure artform that’s got a bit in the background because of the wide span of activities that society offers us. Nevertheless, it has a rich history and offers a safe space to take a break from the neverending pressure of expectations we have to deal with every day. It offers us a reflection of who we are, how we relate to others, and what it means, collectively and individually, to be human. This research plan investigates how an opera house in Berlin can be designed in such a way it will produce a boost for the artform and will enhance the future improvement of opera Abstract together with the cultural development of Berlin. The idea of designing a framework for a 21st century opera and polishing the ‘dusty‘ imago of the opera will be the key provider for this research. To get an answer to the research the following research question is set up: ‘’How can architecture help to design an opera house in Berlin to boost the popularity of opera performances in the future?’’ The conceptual framework is based on different theories that support different levels of research. Methods such as fieldwork, literature research, and case studies extend assumptions through a varied Scala of knowledge. The outcome of the research will help with the design choices that need to be taken during the process. Furthermore, it can be used as guidelines for new research around the topic of performing arts, and encourage possible design questions regarding the site, the program, and the client of opera houses.