Exhibition review of ‘creation
between art and mathematics’
M. Skrodzki (TU Delft - Electrical Engineering, Mathematics and Computer Science)
More Info
expand_more
Other than for strictly personal use, it is not permitted to download, forward or distribute the text or part of it, without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license such as Creative Commons.
Abstract
This review examines Creation: Between Art and Mathematics, an exhibition at the Maison Poincaré in Paris (9 April–25 July 2026), curated by Élodie Christophe, Rémi Coulon, Edmund Harriss, and Glen Whitney. The exhibition aims to unveil the creative processes behind mathematics and the arts, emphasizing their interplay. While works such as Laura Taalman's Granny Life, Ulysse Lacoste and Rémi Coulon's La surface de l'Envol, and Sylvie Pic's Flächen successfully achieve this goal, others fall short of fully revealing their creative dimensions. Despite these inconsistencies, the exhibition largely succeeds in its ambitious mission, offering a compelling exploration of the dynamic relationship between mathematics and art.
Files
File under embargo until 19-02-2027