A Clinical Corpus

The Most Immaculate of Intentions

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Abstract

As a revision on the notions of the body and the aesthetic associations manifested in the clinic, this project takes the form of 4 projective sections. The presented scenes are layered compositions permanently exposed as historical fragments that come together as an essay on clinical aesthetics. The project seeks to undermine the once traditional cartesian distinction between illness and space, architecture and abstraction, universality and health.