Searched for: subject%3A%22cultural%255C%252Bheritage%22
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van der Toorn, J. (author), Wiersma, R.T. (author), Vandivere, Abbie (author), Marroquim, Ricardo (author), Eisemann, E. (author)
Multimodal imaging is used by conservators and scientists to study the composition of paintings. To aid the combined analysis of these digitisations, such images must first be aligned. Rather than proposing a new domain-specific descriptor, we explore and evaluate how existing feature descriptors from related fields can improve the performance...
conference paper 2022
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De Meyer, Steven (author), Vanmeert, Frederik (author), Vertongen, Rani (author), van Loon, A. (author), Gonzalez, V.M.J.M. (author), van der Snickt, Geert (author), Vandivere, Abbie (author), Janssens, Koen (author)
The use of non-invasive macroscopic imaging techniques is becoming more prevalent in the field of cultural heritage, especially to avoid invasive procedures that damage valuable artworks. For this purpose, an X-ray powder diffraction scanner (MA-XRPD) capable of visualising crystalline compounds in a highly specific manner was recently...
journal article 2019
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Elkhuizen, W.S. (author), Dore-Callewaert, T.W.J. (author), Leonhardt, Emilien (author), Vandivere, Abbie (author), Song, Y. (author), Pont, S.C. (author), Geraedts, Jo M.P. (author), Dik, J. (author)
A seventeenth-century canvas painting is usually comprised of varnish and (translucent) paint layers on a substrate. A viewer’s perception of a work of art can be affected by changes in and damages to these layers. Crack formation in the multi-layered stratigraphy of the painting is visible in the surface topology. Furthermore, the impact of...
journal article 2019