Elaborating on a host of historical and theoretical references, in this conversation Alberto Pérez-Gómez suggests a course of action for the development of the architectural discipline; opposing the banality of scientism and rationalism, and recognizing instead the need for a degree of obscurity and ambiguity as essential to the full exercise of our humanity in relation to what we build and inhabit. Metaphors, myths, stories and poems, he notes, are not only useful instruments to represent architecture’s aesthetics and purpose, but elemental human practices that define who we are and how we know. Tense between different polarities, the conversation explores architecture as a way to find sense and meaning by relying on timeless wisdom in the face of the many distractions and distortions that characterize our time. @en

This fifth issue of the Writingplace Journal examines different narrative methods, understood as procedures, techniques or ways of relating or recounting events, and how they can be used to appraise and imagine the city. The editorial process of the issue has been developed within the context of the EU-funded COST Action ‘Writing Urban Places’, a multidisciplinary network of researchers who are interested in developing new narratives for the European city. By recognizing the value of urban narratives – stories rich in information regarding citizens’ sociospatial practices, perceptions, hopes and ambitions – the network seeks to foster and preserve the democratic, and therefore inclusive, nature of the modern European city. @en