This study delves into the portrayal of women in Impressionist paintings, focusing on the nuanced perspectives and differences derived from the female and male gaze. Through a comparative study of works by Berthe Morisot, Mary Cassatt, Piere-Auguste Renoir and Édouart Manet, this thesis elucidates the distinct artistic interpretations and societal influences shaping the representation of women. This is done by comparing how the female and male gaze influence the portrayals of women both in a domestic and public setting. By examining
themes of intimacy, motherhood and the portrayal of women in the public sphere, this study reveals how Morisot and Cassatt offer a more empathetic and autonomous depiction of women, reflective of their own experiences as female artists. In contrast, Manet and Renoir their depiction often reflect more traditional gender roles and ideals. Through an exploration and comparative study of artworks done by these artists, this study sheds light on the unique insights offered by female artists and contributes to a deeper understanding of gender dynamics in Impressionist paintings.