Architecture often manifests itself for a multitude of decades in the built environment, as something that is static. It is in itself an end-result, often designed as a seamless whole, specifically applicable within the design of music venues. These are often iconic objects within city fabrics, sometimes only accessible by one specific target group. The spatial configuration and experiences within the building are staying the same during its lifespan. If our cities, environments, technologies, economies and even our own ideas, activities and (musical) preferences change constantly, why do we construct and design architecture still as something that is fixed, rigid, pre-established, and permanent? Can we create architecture which generates freedom and is open for interpretation, therefore responding to unforeseen activities? For the design of the music building, a framework is designed, which is indeterminate in its functions. The framework derives from a characteristic crane rail located in the Binckhorst, The Hague (Netherlands), which functions as the ''backbone'' of the whole project. It can be appropriated and used by different groups and (sub)cultures and host various activities. The framework is flexible and can grow over time in which there is not one particular end-result created. By doing this, the building is more resilient towards future societal changes.