This thesis investigates the evolving perception and appreciation of Het Schip, an icon of the Amsterdam School designed by Michel de Klerk, from its completion in 1921 to the present day. As a social housing complex and national monument, Het Schip has a unique relationship between architectural expression, social ideals, and historical reinterpretation. The research explores how various stakeholders—including architects, critics, residents, policymakers, and the public—have shaped and reshaped the building’s significance over time. Four core themes structure the analysis: the historical context and theoretical foundations of the Amsterdam School; the early reception and critique of Het Schip countering modernism; the impact of renovation and restoration efforts; and the evolving symbolic image of the building as a monument to social cohesion, craftsmanship, and beauty. Methodologically, the thesis combines historical analysis with qualitative insights drawn from archival research and interviews with museum staff. The study concludes that the lasting image of Het Schip stems not only from its architectural richness but also from its social legacy. As a testament to the values of dignity, collectivity, and artistic ambition in public housing, Het Schip can be seen as an example for contemporary social housing projects on the future of socially responsible design.