Oil paintings are complex, multi-layered systems that are prone to chemical degradation. While it is increasingly recognised that water plays an important role in these degradation reactions, little is known about moisture concentrations in oil paint systems and their temporal variation in response to fluctuating ambient air humidity. This knowledge is necessary to further preventive conservation, specifically to establish optimal environmental conditions to safeguard works of art for future generations. We developed a transient one-dimensional moisture transport model based on Fickian diffusion enabling the integration of experimentally recorded relative humidity data. Moisture sorption and transport data for painting materials have been reviewed from literature showing that each component of a painting has rather distinct properties. Including the properties of the individual layers enabled predicting the behaviour of a multi-layered painting system. A sensitivity study indicated that the response of a multilayer is determined by the combination of diffusion coefficients, isotherm shapes, maximum water contents, layer thicknesses, period of RH fluctuation and stacking order of the layers. Finally, the model was employed to investigate a case study of 18th-century painted wall hangings in a historic house to illustrate the insights that can be gained from this approach and the types of conservation-related questions that can be answered.@en

This experiment demonstrates the large potential of macro-XRF imaging for the visualization of fragments of medieval manuscripts hidden in early-modern bookbindings. The invention of the printing press in the fifteenth century made manuscripts obsolete and bookbinders started recycling their strong parchment leaves to reinforce bindings of printed books. One in roughly every five early-modern books contains a fragment of a medieval manuscript hidden underneath the bookbinding. Systematically investigating these fragments will provide scholars with valuable information about transmission and variant readings of medieval texts. Four case studies were scanned with a Bruker M6 Jetstream mobile XRF scanner. We were able to visualize hidden texts underneath black paint, paper and parchment at such a high resolution that they could be read and dated. One of the findings was an early twelfth-century excerpt of a text by the Venerable Bede in a sixteenth-century bookbinding. In addition, we were able to separately visualize the lower and upper text of a famous palimpsest. The main limitation of the current set-up is the scanning time, which took anywhere between 6 and 66 h. In order to systematically employ macro-XRF for researching medieval fragments, the scanning time needs to be decreased. Nonetheless, this experiment shows that the macro-XRF technique is extremely suitable for visualizing fragments of medieval manuscripts in a non-destructive way in order to read, date and localize them.@en