How can an open relation between bodies, movement and architecture lead to new ways of bodily attunement in space? Dancing weaves Bodies and Space with the World. Social and (anatomo-)political conventions compose a foundational understanding of how I experience my former dancer body in architectural space. In my research, the moving body weaves threads between art, architecture, performance, philosophy, body politics, and everyday practices. As a designer, I perceive our bodies as intertwined actors within the spheres of art, architecture, and urbanism. As a former classical and contemporary dancer, I bring a certain sensibility to surrounding spaces, with a high resonance towards rhythms, materialities, and interventions in the built environment. Assembling both aspects, I use the moving body in the city as a tool to design. The reciprocity between the body, movement, and architecture is historically solidified in well-established systems of power by the repressive state apparatus. (Wark, McKenzie. 2019. Capital is Dead.p.154). Differences in power, entitlement, and access to being accepted as human (bodies) make us all different from each other. The project liberates the body from the state of oppression of social, political, and reproductive regulative systems. Essentially, we are made of the same flesh – we are all bodies that express how we sense space through actions and emissions of our physical energy. The research explores the relation between the body as a subject and its mirage in space, thus creating endless shapes of being (within) a human body. The aim is to open up a creative dialogue between architecture and bodily resonance ,paging body in space and space in body.’ (Diller, E. Scofidio, R. 1994. Flesh – Architectural Probes. p.23.) I walk, move, dance, and think with my own body as extended matter to absorb the space around me in its energies. By translating these experiences into notational drawings, collages, physical models, poetry and chronophotographic images, the moments of reciprocal attunement between body, dance and space come forth. Design Brief
: The floating water theater beats like a heart to the rhythm of Rotterdam’s waves. The desired design will allow new encounters between water and land, bodies and space, spectators and actors. It is a space to make you aware of your bodily potential to climb, rise, hide, run, scream, and dream. It is a manifestation of what it means to move your body in this journey of space.