Museum in Sequences

Abstract

This year‘s graduation studio of Interiors Building Cities focuses on the redevelopment of the M HKA (Museum van Hedendaagse Kunst Antwerpen) in Belgium. In the context of an industrial metropolis like Antwerp, museums have evolved from spaces of representation and power structures to spaces for critique. Artists have repurposed disused structures in the city, including those left behind by the contemporary city, giving rise to new forms of art and the formation of art collectives and institutions since the 1960s. These spaces now serve as platforms for the public to engage with and learn about contemporary art and its significance in our society. They showcase a diverse range of mediums, from paintings and sculptures to photography, video, installations, and performance art. Additionally, educational programs and events are offered to enhance visitors‘ understanding of the art and the creative processes behind it.

With the redevelopment and relocation project, M HKA aims to establish a Flemish museum of contemporary art on a new site in the southern part of Antwerp. While the client‘s brief emphasizes the need for static sequences of spaces and programs, it fails to address the potential for unpredictable changes and user demands. Public institutions must bring flexibility to the forefront of architectural design, particularly when dealing with so-called obsolete buildings. This perspective is evident in the new site‘s design, where the planned demolition of a former court building is the only justification given in the brief. In my graduation design, I critique this decision by proposing to retain most of the existing structure, using it as the foundation for new towers on the site.