Russian terrain vague
The Soul-state in Architecture
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Abstract
In western modern cities there are these spots that still possesses objects of events that where once before. These objects are alienated objects within the modern city, they can take the observer to a place former to them. The topic of the terrain vague got my interest as the leftover of the industrial, within most industrial areas certain parts are redundant due to progression and have been left there to be taken over by nature. Terrain vague, a Term introduced in Anyplaces by Ignasi de Sola-Morales Rubio. (Davidson, 1995). Ignasi de Sola-Morales talks about these spaces as not being colonized by architecture. They are left over spaces or literary translated by its Latin words; vacant terrains. Is this western European term still viable within the context of a condition within the city of Yekaterinburg? What is the Russian terrain vague? How can the understanding of the Russian culture help to redefine the term in a way that it applies to cities where more places have the nature of the vacant place than the one of colonized architecture? Morales explained the terrain vague as a place to escape the city. Can the terrain vague be a place to escape the pressure of the city in a mental space, a space of seclusion? The state of the city resembles the nature of the Russians, an melancholic almost depressing state. But where does this come from and how can this search for the Russian emotion help to better define the Russian terrain vague? Looking at linguistics, the Russian emotion comes much more from the soul. Russian see the emotion much more as a state of the soul someone is in. Can this metal terrain vague express the soul state of the Russians? This depressing nature of the Russian leads to another understanding of the term terrain vague. It is much more within Russian context about a place which can take you away from a bad place. This turns around its premise of something that was un-colonised by capitalism towards a place where there are these archipelagos of freedom from the depression. Which then within Russian context are these capitalist non-places, creating a paradox which result back to the terrain vague that was mentioned by Ignasi de Sola-Morales?