Time-of-day perception in paintings

Quantifying the spatial, temporal, angular and spectral structure of effective daylight in perceptually meaningful ways

Sounds that satisfy:: Describing the relationship between sound and need fulfilment

Effects of inter-reflections on the chromatic structure of the light field

Effects of inter-reflections on the correlated colour temperature and colour rendition of the light field: Inter-reflections and effective colour rendition

Flavorium: An Exploration of Flavobacteria's Living Aesthetics for Living Color Interfaces

Quantifying Natural Light for Lighting and Display Design

A juicy orange makes for a tastier juice: The neglected role of visual material perception in packaging design

What Can Style Transfer and Paintings Do For Model Robustness?

Living light interfaces - an exploration of bioluminescence aesthetics

Materials in Paintings (MIP): An interdisciplinary dataset for perception, art history, and computer vision

Soft like velvet and shiny like satin: Perceptual material signatures of fabrics depicted in 17th century paintings

The Influence of Material Colors on the Effective Color Rendering and Temperature through Mutual Illumination

Material properties and image cues for convincing grapes: The know-how of the 17th-century pictorial recipe by Willem Beurs

Painterly depiction of material properties

Effects of light map orientation and shape on the visual perception of canonical materials

If painters give you lemons, squeeze the knowledge out of them: A study on the visual perception of the translucent and juicy appearance of citrus fruits in paintings

Mid-Air Ultrasonic Stimulations of the Palm - The Influence of Frequency and Stimulus Duration on Perceived Intensity

A systematic approach to testing and predicting light-material interactions

Gloss, color and topography scanning for reproducing a painting’s appearance using 3D printing