Pictorial depth probed through relative sizes

In the physical environment familiar size is an effective depth cue because the distance from the eye to an object equals the ratio of its physical size to its angular extent in the visual field. Such simple geometrical relations do not apply to pictorial space, since the eye itself is not in pictorial space, and consequently the notion ...

Rank order scaling of pictorial depth

We address the topic of “pictorial depth” in cases of pictures that are unlike photographic renderings. The most basic measure of “depth” is no doubt that of depth order. We establish depth order through the pairwise depth-comparison method, involving all pairs from a set of 49 fiducial points. The pictorial space for this study was evoked by a...

Depth

Depth is the feeling of remoteness, or separateness, that accompanies awareness in human modalities like vision and audition. In specific cases depths can be graded on an ordinal scale, or even measured quantitatively on an interval scale. In the case of pictorial vision this is complicated by the fact that human observers often appear to apply...

Measuring 3D point configurations in pictorial space

We propose a novel method to probe the depth structure of the pictorial space evoked by paintings. The method involves an exocentric pointing paradigm that allows one to find the slope of the geodesic connection between any pair of points in pictorial space. Since the locations of the points in the picture plane are known, this immediately...

Light fields and shape from shading

From a theoretical point of view, the use of the shading cue involves estimates of the light field and thus observers need to judge the light field and the shape simultaneously. The conventional stimulus in perceptual experiments, a circular disk filled with a monotonic gradient on a uniform surround, represents a local shading or tonal gradient...

Vision as a user interface

The egg-rolling behavior of the graylag goose is an often quoted example of a fixed-action pattern. The bird will even attempt to roll a brick back to its nest! Despite excellent visual acuity it apparently "takes a brick for an egg." Evolution optimizes utility, not veridicality. Yet textbooks take it for a fact that human vision evolved so as...

The shading cue in context

The shading cue is supposed to be a major factor in monocular stereopsis. However, the hypothesis is hardly corroborated by available data. For instance, the conventional stimulus used in perception research, which involves a circular disk with monotonic luminance gradient on a uniform surround, is theoretically ‘explained’ by any quadric...

Aging and the haptic perception of 3D surface shape

Two experiments evaluated the ability of older and younger adults to perceive the three-dimensional (3D) shape of object surfaces from active touch (haptics). The ages of the older adults ranged from 64 to 84 years, while those of the younger adults ranged from 18 to 27 years. In Experiment 1, the participants haptically judged the shape of...

Illuminance Flow Estimation by Regression

We investigate the estimation of illuminance flow using Histograms of Oriented Gradient features (HOGs). In a regression setting, we found for both ridge regression and support vector machines, that the optimal solution shows close resemblance to the gradient based structure tensor (also known as the second moment matrix). Theoretical results...

The prior statistics of object colors

The prior statistics of object colors is of much interest because extensive statistical investigations of reflectance spectra reveal highly non-uniform structure in color space common to several very different databases. This common structure is due to the visual system rather than to the statistics of environmental structure. Analysis involves...

Structure of light fields in natural scenes

Light fields [J. Math. Phys. 18, 51 (1936) ;The Photic Field (MIT, 1981)] of natural scenes are highly complex and vary within a scene from point to point. However, in many applications complex lighting can be successfully replaced by its low-order approximation [J. Opt. Soc. Am. A 18, 2448 (2001); Appl. Opt. 46, 7308 (2007)]. The purpose of...

Illuminance flow over anisotropic surfaces with arbitrary viewpoint

The theory of illuminance flow estimation by structure tensors is generalized for oblique viewing of anisotropic texture. An added benefit is that the theory predicts the behavior of unsupervised illuminant tilt estimators. The previous theory is refined with general matrix formulations and compacted by exploiting general properties of the...

Transparency and imaginary colors

Unlike the Metelli monochrome transparencies, when overlays and their backgrounds have chromatic content, the inferred surface colors may not always be physically realizable, and are in some sense “imaginary.” In these cases, the inferred chromatic transmittance or reflectance of the overlay lies outside the RGB spectral boundaries. Using the...

Haptic perception disambiguates visual perception of 3D shape

We studied the influence of haptics on visual perception of three-dimensional shape. Observers were shown pictures of an oblate spheroid in two different orientations. A gauge-figure task was used to measure their perception of the global shape. In the first two sessions only vision was used. The results showed that observers made large errors...

Haptics disambiguates vision in the perception of pictorial relief

In this study we demonstrate that touch decreases the ambiguity in a visual image. It has been previously found that visual perception of three-dimensional shape is subject to certain variations. These variations can be described by the affine transformation. While the visual system thus seems unable to capture the Euclidean structure of a shape...

Representing the light field in finite three-dimensional spaces from sparse discrete samples

We present a method for measurement and reconstruction of light fields in finite spaces. Using a custom-made device called a plenopter, we can measure spatially and directionally varying radiance distribution functions from a real-world scene up to their second-order spherical harmonics approximations. Interpolating between measurement points,...

Pictorial relief for equiluminant images

Pictorial relief depends strongly on “cues” in the image. For isoluminant renderings some cues are missing, namely all information that is related to luminance contrast (e.g., shading, atmospheric perspective). It has been suggested that spatial discrimination and especially pictorial space suffer badly in isoluminant conditions. We have...