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Dooley, Kathryn A. (author), Gifford, E. Melanie (author), van Loon, A. (author), Noble, Petria (author), Zeibel, Jason G. (author), Conover, Damon M. (author), Alfeld, Matthias (author), van der Snickt, G.R. (author), Legrand, Stijn (author), Janssens, Koen (author), Dik, J. (author), Delaney, John K. (author)Late paintings of Rembrandt van Rijn (1606–1669) offer intriguing problems for both art historians and conservation scientists. In the research presented here, the key question addressed is whether observed stylistic differences in paint handling can be correlated with material differences. In Saul and David, in the collection of the Royal...journal article 2018
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De Meyer, S. (author), Vanmeert, F. (author), Vertongen, R. (author), Van Loon, A. (author), Gonzalez, V.M.J.M. (author), Delaney, J. (author), Dooley, K. (author), Dik, J. (author), Van der Snickt, G. (author), Vandivere, A. (author), Janssens, K. (author)Until the 19th century, lead white was the most important white pigment used in oil paintings. Lead white is typically composed of two crystalline lead carbonates: hydrocerussite [2PbCO<sub>3</sub>·Pb(OH)<sub>2</sub>] and cerussite (PbCO<sub>3</sub>). Depending on the ratio between hydrocerussite and cerussite, lead white can be classified...journal article 2019