Using an industry instrument to trigger the improvement of the transversal competency learning outcomes of engineering graduates

For Me or for My Relatives? Approximating Self-Protection and Local Altruistic Motivations Underlying Preferences for Public Health Policies Using Risk Perception Metrics

Unperceived motor actions of the balance system interfere with the causal attribution of self-motion

Learning to Feel Textures: Predicting Perceptual Similarities From Unconstrained Finger-Surface Interactions

An Aircraft Interior Change to Improve the Passenger Safety Perception

Authenticity and meaningful futures for museums: the role of 3D printing

3D Reproductions of Cultural Heritage Artifacts: Evaluation of Significance and Experience

Embodied Learning at a Distance: from Sensory-Motor Experience to Constructing and Understanding a Sine Graph

A juicy orange makes for a tastier juice: The neglected role of visual material perception in packaging design

How do dutch drivers perceive horizontal curves on freeway interchanges and which cues influence their speed choice?

Multisensory Interactions in Head and Body Centered Perception of Verticality

Stakeholder Perceptions of Transaction Costs in Prefabricated Housing Projects in China

Comparison of first-year student conceptions of their future roles as engineers between Belgium, Ireland, and The Netherlands

Walkability analyses of Delft city centre by Go-Along walks and testing of different design scenarios for a more walkable environment

How to Address Consumers’ Concerns and Information Needs about Emerging Chemical and Microbial Contaminants in Drinking Water: The Case of GenX in The Netherlands

Perception modelling by invariant representation of deep learning for automated structural diagnostic in aircraft maintenance: A study case using DeepSHM

Initial contact shapes the perception of friction

Colored optic filters on c-Si IBC solar cells for building integrated photovoltaic applications

Enactivism and the Paradox of Moral Perception

Soft like velvet and shiny like satin: Perceptual material signatures of fabrics depicted in 17th century paintings