The relationship between architecture and human perception is a complex interplay of cultural, psychological and spatial aspects. Feng Shui is a traditional Chinese interior design concept that aims to promote well-being and harmony by aligning buildings with the flow of energy (Qi). While previous studies have explored Feng Shui as a cultural or psychological phenomenon, there is limited research comparing its perceived spatial effects directly with buildings designed according to Western architectural standards. This thesis addresses this gap by investigating whether the spatial experiences attributed to Feng Shui can be reproduced through universal design principles or whether they represent a culturally specific design logic. The following results will contribute to further dialogue on architectural psychology and the significance of traditional spatial concepts in modern design.