Places of constant hustle and bustle, where people and goods arrive and depart, where land and water meet: port cities have traditionally, and quite easily, given rise to slogans, metaphors, and even myths ascribed to their particular maritime urban profile. Such conceptions are not merely superficial one-liners. As pointed out in the introduction to this volume, they also function as invitations to explore micro-geographies, often overlooked associations and traces in the contemporary environment (Harteveld, 2021), and to further theorize the distinct character of port cities (Hein, Luning, & Van de Laar, 2021). However, as with more general urban discourses, trying to pinpoint ‘the port city’ leads to the realization that any notion of ‘port cityness’ inevitably brings together certain meanings and dimensions that potentially compete with and contradict each other (Vigar, Graham, & Healey, 2005). In the context of port cities, the well-known ‘hustle and bustle’ narrative evokes imagery with an economic dimension of the mass cargo serving as indicator of global port competition; a social dimension, of the constant in- and outflux of varied groups of people; and a cultural dimension, of the places and practices port city residents and visitors have engaged in. This chapter focuses on the latter aspect, thereby examining the cultural dimension of port cities through the history of their often-stereotyped pleasures (Baptist, 2020), and how over time these have been reconsidered and relocated through different urban planning initiatives. [...]@en

This chapter develops a layered analysis of the Schiedamsedijk, Rotterdam’s interwar amusement street. It links the street’s split socio-cultural character to that of port cities in general, and investigates this along the lines of a similar divide in perceptions of safety and security. Based on an historical bird’s-eye view of the pleasure area, the Schiedamsedijk’s criminal and cosmopolitan sides are discussed. Both of these maritime urban traits were neutralised when the Schiedamsedijk reinvented itself as a domestic tourist attraction in the late 1930s. Through visual sources, interchanges are foregrounded between contrasting internal and external perspectives on safety, which ultimately help to nuance and reframe the stereotypical characters and ambiguous nature traditionally ascribed to this historical environment of pleasure culture.@en

Purpose
The purpose of this paper is twofold: first, to propose a methodology to empirically investigate the longitudinal development of social media content concerning buildings characterized by iconic architecture and second, to report on the application of this methodology.

Design/methodology/approach
We collected and analyzed empirical data of social media content shared via Instagram between 2011 and 2019 on 16 buildings that can be considered iconic architecture projects. Using an automated pipeline, we collected and processed 264,000 posts and 140,000 images from Instagram for the selected case studies. By studying the posting activity of Instagram users through time series analysis and conducting content analysis of the social media posts by means of both image classification and topic modeling, we report on the development of users’ capturing and reception of the selected case studies on Instagram over time.

Findings
First, we identify two distinct time patterns of social media content: instantly popular buildings whose popularity fades over time and buildings that gradually gain popularity over time. Second, we distinguish differences in the content of social media posts: some buildings are primarily covered for their architectural features and others for their cultural function and facilities.

Originality/value
Using empirical investigation of Instagram data on iconic architectural projects, we have identified a correlation: buildings primarily posted for their architecture are generally also the ones to gain instant online popularity that subsequently faded over time. In contrast, buildings primarily posted for their function and facilities slowly gained popularity on the social media platform over time.@en

Rotterdams schiereiland Katendrecht wordt tegenwoordig minder in één adem genoemd met haar notoire verleden als Chinatown of red-light district dan met schijnbaar alomtegenwoordige tendensen van gentrificatie. Hoe voorbij de polarisatie te kijken in dit soort debatten? Wandelingen met (oud-)buurtbewoners brengen je – letterlijk en figuurlijk – al een heel eind op weg, zo weet Vincent Baptist.@en

Bij een havenstad denken we aan industriële herrie van voorbijvarende schepen en fabrieksnijverheid, toch? Een industrieel schiereiland als Katendrecht wordt ondertussen niet meer gedomineerd door havenarbeid en vrachtverkeer. Hoe wordt zo’n omgetoverde havenbuurt op het vlak van geluid vandaag beleefd door bewoners? Het zijn inzichten waar gebiedsontwikkelaars iets mee kunnen.@en

'Where people have fun, encounters happen. Where encounters take place, change begins. Are pleasurescapes in port cities Europe’s true driving forces after all?'

With this tagline, the research project Pleasurescapes, funded by HERA (Humanities in the European Research Area) and running from 2019 to 2022, investigated historical spaces and legacies of modern entertainment and deviant culture across European port cities. Established as a collaboration between scholars from the port cities of Hamburg, Rotterdam, Barcelona, and Gothenburg, the Pleasurescapes project sought to address the dominance that has traditionally been reserved for port cities’ economic and industrial importance, and rebalance this by shedding light on their underexplored cultural heritage. In doing so, the research team utilised the new ‘pleasurescapes’ concept to craft links between past and present maritime urban contact zones, from bygone sailortowns to contemporary waterfronts, but also to point the attention to overlooked international events and intriguing cultural practices that found a fertile breeding ground in port cities’ transnational environments. Main publications focused both on the conceptual ramifications of the ‘pleasurescapes’ term and its operationalisation within different contexts.[11] Additionally, the project’s final output intends to reimagine and recount the cultural counter-narratives of the investigated port cities: a museum exhibition and theater play, both based on sources and heritage objects uncovered during the collaborative research, are set to launch in the coming year. […]@en

Hoe zijn Rotterdams beruchte amusementsbuurten verdwenen in de loop van de twintigste eeuw, en hoe zijn hun erfenissen blijven hangen in het veranderende ruimtelijke en culturele weefsel van de havenstad? In tegenstelling tot Hamburgs Reeperbahn of Parallel Avenue in Barcelona ​​kan Rotterdam tegenwoordig niet meer buigen op een enkele afgebakende ruimte die de typische cultuur van de havenstad heeft overgedragen naar het huidige tijdperk van wereldwijd toerisme en evenementen.@en

PortCityFutures is an interdisciplinary research center, originally set up between the Dutch universities of Delft, Rotterdam, and Leiden. It focuses on the legacies, uses, and future developments of port city regions, motivated to let port and city jointly evolve again, after decades in which these entities have increasingly grown apart under industrial imperatives. As port cities are uniquely located on the edge between sea and land, they have limited space for reinventing their infrastructurally dense and culturally rich territories. Yet, the historical trajectories of port cities also comprise a persistent resilience towards change and future challenges, which can be capitalised on by (re)cultivating shared values and mindsets. [...]@en

Drawing on examples from Amsterdam to Venice, Vincent Baptist analyses two emerging urban paradigms — the “smooth city” and the “wellness city” — as models for understanding the reciprocal relations of care between cities and their inhabitants.@en

Contradictions and conflicts lie at the heart of port cities, with contemporary waterfront redevelopments offering the latest controversial associations to traditional maritime history. Tracing back classic urban renewal and modernization processes in maritime areas, this article develops a case study on a notorious pleasure neighborhood (the Zandstraatbuurt) in Rotterdam, eradicated when the Dutch port city entered a new stage of urban and industrial development in the decades around 1900. The case study is embedded within a conceptual framework on nostalgia and its connections to bygone sailor culture. Significant cultural imaginations of the historical pleasure district are discussed, and notable journalistic accounts help to assess how nostalgic sentiments attempted to shape the legacy of the neighborhood around the time of its dissolution. Finally, general newspaper coverage of the district after its turn-of-the-century life span is analyzed, thereby demonstrating the potential for further research on urban nostalgia in historical contexts.@en

Op 9 juni 1899, aan de vooravond van de twintigste eeuw waarin Rotterdam zijn status van wereldhaven definitief zou waarmaken, bezocht koningin Wilhelmina, begeleid door haar moeder koningin Emma, de stad aan de Maas. Als tienjarige had zij Rotterdam ook al een bezoek gebracht en toen een gedenksteen gelegd voor de naar haar genoemde Wilhelminakade, vertrekpunt van de Holland-Amerika-Lijn en een van de boegbeelden van de wereldhaven in opkomst. [...]@en

For the PortCityFutures community, the working year of 2022 started with a five-day workshop hosted by the Lorentz Center. Even though we couldn’t meet in person because of the lockdown in the Netherlands, these five days were full of connection: between academic, societal and governance partners, between new ideas, concepts and tools, and between water, culture, space and society. Through presentations, discussions and hands-on exercises, we got to know each other’s work better, but were also introduced to new ways for balancing the focus on technology and economy within port cities with a diversity of spatial, social and cultural approaches. In this report, we look back at each day and synthesize the main learnings from this workshop for our world-wide research community.@en

Centuries of trade have left their traces in the culture and society of port cities. This paper explores the usefulness of the concept “maritime mindset” to recognize these traces, and analyses it from different disciplinary perspectives. In the second part, it proposes the practice of “deep mapping” as a methodology of identifying and documenting expressions of maritime culture and trade in public space. In conclusion, it addresses some questions that are crucial when addressing a maritime mindset, such as whether it is a top-down or bottom-up mindset, which spatial scale it entails, and whose values and interests the mindset represents. Ultimately, we argue that (deep) mapping can play a role in producing a more layered spatial, social and cultural understanding of the complex nature of port cities.@en

In this article, we demonstrate and argue that one way to acquire a better sense of cinemagoing in the silent film era is to investigate the relations between cinema locations, the socio-economic and demographic profile of their surroundings, and film programming. Driven by the centrality of space as one of the defining traits of new cinema history, we operationalise this inquiry through a data-driven toolkit of interconnected scalable approaches, in order to establish a multilayered contextualisation of Amsterdam’s early cinema landscape. We analyse Amsterdam’s historical cinema market both on the meso level of the city’s overall surroundings and on the micro level of two neighbouring film venues within a specific urban district. By switching between different levels of scale to analyse the cinemas’ programming profiles, we highlight the venues’ positioning within the socio-spatial structure of the city and their neighbourhood community in particular. In the future, the multifaceted analytical exploration enabled by our digital toolkit can be further enhanced by an increased availability of more fine-grained archival and contextual data.@en

In this paper, we present our work on semantic deep mapping at scale by combining information from various sources and disciplines to study historical Amsterdam. We model our data according to semantic web standards and ground them in space and time such that we can investigate what happened at a particular time and place from a linguistics, socio-economic and urban historical perspective. In a small use case we test the spatio-temporal infrastructure for research on entertainment culture in Amsterdam around the turn of the 20th century. We explain the bottlenecks we encountered for integrating information from different disciplines and sources and how we resolved or worked around them. Finally, we present a set of recommendations and best practices for adapting semantic deep mapping to other settings.@en

This article traces the centuries-long morphological development of Algiers’ port-city interface across four historically relevant time periods that together span from the dawn of the 16th century up until today. Through a diachronic and geo-historical approach, we identify and analyse the origins of Algiers’ persistent port-city divide. In doing so, the notion of the interface is interpreted as a spatial threshold between city and port, which nevertheless supports the material flows of both entities. As a multi-purpose area, the interface holds the potential to weave the disparate entities of a port city back together. To further complement this conceptual angle, we provide investigations of porosity that determine the differing degrees of connectivity between the city and port of Algiers. This is combined with a spatial-functional analysis of Algiers’ current port-city interface, which is ultimately characterised as a non-homogeneous entity composed of four distinct sequences. These results contribute to a better orientation of imminent plans for waterfront revitalisations in Algiers. Whereas the interface was long considered as some kind of no man’s land in the past, port and municipal authorities nowadays aim to turn the interface into a tool of reconciliation, and can do so by acting upon its potential porosity. Finally, this article’s critical examination of the previously neglected case of Algiers can and should also be considered as an applicable model for the continuing study of southern Mediterranean and African port metropolises in general, which share a particular evolution in the relations between city and port.@en

Over the last two decades, a growing number of databases have been published online that record historical information on the production, distribution and reception of performing arts. The aim of this contribution is to present a starting inventory of European performing arts databases that are available online, since no such overview exists to date.@en