A short walk in Buenos Aires reveals a stark contrast: from the self-built homes of Barrio Mujica to the polished towers of Barrio Norte. Life in Villa 31 is sustained by resilience, care, and informal networks, especially the unpaid labour of women. Though recent upgrades have improved infrastructure, deep inequalities persist—overcrowding, precarious work, and limited services. Formalization alone cannot bridge historical and social divides. True integration means valuing local knowledge, investing in care, and ensuring equal rights. Barrio Mujica stands as a space of dignity—and a reminder that the promise of a more just city remains unfinished.

Spain’s 8,000 kilometers of coastline host diverse ecosystems, support 40% of the population, and attract millions of tourists but face severe threats from climate change, over-tourism, and urbanization. Rising sea levels could displace 1.5 million people by 2050. Urgent action is needed to integrate nature-based solutions, protect biodiversity, and ensure public access. Coastal regeneration must prioritize resilience, inclusivity, and regenerative economies, transforming coasts into spaces of coexistence, connection, and sustainability for a viable future.

The Grand Paris Express (GPE), Europe’s largest infrastructure project, aims to reshape the Paris metropolitan area with over 200 kilometres of subway lines and 68 stations. Designed to improve connectivity and catalyse urban renewal, it symbolises a monumental step towards a more integrated city. However, beneath its sleek stations lies a narrative of displacement, gentrification and fractured communities. Conceived to integrate long-neglected banlieues into the metropolis, the GPE risks unintended consequences, such as rising property values that displace residents. [...]

Málaga, once a gateway to the Costa del Sol, has become a cautionary tale of tourist overexposure. A cultural rebranding effort—anchored by museums and pedestrian upgrades—has drawn millions, but at great cost. Local shops have been replaced by chains, neighbourhoods like Lagunillas emptied by Airbnb, and public life hollowed out. While officials now propose limits on rentals and alternative tourist routes, the social and spatial damage is deep. Spaces like La Casa Invisible offer resistance, but broader questions loom: Can Spain continue to rely on such a fragile industry? Without structural change, it’s unclear if any local life will remain.

This exhibition brings together practices, stories, and designs rooted in Indigenous intelligence — knowledge cultivated over centuries of living in close relationship with land, water, and community. The works on display highlight approaches grounded in reciprocity, resilience, and care, offering perspectives that contrast with extractive and colonial systems.

Projects range from matriarchal place-making and ecological governance to vernacular construction and cultural storytelling. All have been recently produced by students, PhD researchers, and educators at the Faculty of Architecture and the Built Environment.

Indigenous Intelligence invites visitors to reflect on how Indigenous knowledge can inspire future design and education. It challenges assumptions about technology and nature and explores how architecture and urbanism can shape not just spaces, but relationships between people, environments, and generations — with humility and care.

Madrid has become a European powerhouse, attracting investment and tourism, yet faces a deepening housing crisis. Following the 2008 financial crash, abandoned neighborhoods symbolized unchecked speculation. Now, amid Spain’s economic boom, luxury property prices have surged, fueled by wealthy Latin American buyers. Rents and housing costs have skyrocketed, pricing out residents. Governance favors ultraliberal policies, with little investment in social housing. While initiatives like Cooperativa Entrepatios offer hope, widespread frustration persists, especially among younger generations. Overtourism exacerbates the crisis, highlighting the need for stronger public intervention. Will political leaders act, or is history repeating itself? [...]

This compact exhibition explores how architects have historically presented their work—how they have narrated, framed, and projected architecture through books, drawings, images, websites, and film. From the first architectural publications in the Renaissance to the media platforms of today, the works trace a lineage of self-representation in architecture, and invite visitors to reflect on how architects see themselves—or how they would like to be seen.

The works on display reveal that architecture is not only practiced through building, but also through storytelling. Dissemination becomes a strategic act: a way to shape public image, to participate in broader discourse, and to claim a place in history. Whether in the form of an idealized villa, a monumental portfolio, a carbon-conscious website, or a speculative film, these acts of publishing expose something of the architect’s vision—not just of buildings, but of their own role in society.

The exhibition juxtaposes early treatises by Sebastiano Serlio and Andrea Palladio with 17th-century publications by Philips Vingboons and Jacob van Campen; the self-fashioned mythology of Frank Lloyd Wright in the Wasmuth Portfolio; and the methodical compilations of Le Corbusier’s “Oeuvre Complète”. Alongside these, contemporary formats expand the field of architectural communication: Koolhaas and Bruce Mau’s “S,M,L,XL”; Zaha Hadid’s manifestos; Norman Foster’s Foundation; the algorithmic interface of Vylder Vink’s website; La-Di-Da’s low-carbon platform; the visual grammar of Sub’s sortable thumbnail system; and selected Instagram feeds that stage architecture as performance and persona.

Also featured are the fictional geographies of Design Earth, the dense cartographies of MVRDV’s “KM3”, and the curated urbanity of Atelier Bow-Wow’s “Made in Tokyo”. A monitor screening speculative films by Liam Young adds another dimension, while projects by Andrés Jaque, Teddy Cruz and Fonna Forman, Léopold Lambert, and Studio Folder further expand the figure of the architect—as editor, activist, researcher, and storyteller.

Drawn from the Trésor Collection of TU Delft and complemented by reproductions and digital interfaces, this exhibition highlights how dissemination has always been integral to architectural practice—not only to make architecture visible, but to help it evolve. To publish is to design one’s own reception. To share work is to propose a vision of the future.

Asuncion is a city shaped by absence—of density, continuity, and connection. While its metropolitan area sprawls outward, its historic centre stands neglected and hollowed out. With one of the lowest urban densities in Latin America, Asuncion suffers from disjointed growth, fragile housing near flood-prone areas, and stark social segregation. The centre, once the city’s core, has been abandoned rather than revived. As climate challenges intensify, continuing outward expansion becomes untenable. Reinvesting in existing urban fabric—through inclusive housing, mobility, and public space—is not nostalgic but urgent. The future of Asuncion hinges on who benefits from its transformation—and who is left behind.

Once the heart of São Paulo’s economic and cultural dynamism, the Região Central has experienced a decline since the late 20th century, as activity migrated to new areas. What remains today is a landscape of stark contrasts: an extraordinary collection of modern architecture – preserved largely due to stagnation – standing alongside hundreds of vacant or informally occupied buildings. Public spaces bear visible signs of neglect, with homelessness and crime concentrated in parts of the city’s core. [...]

The shortage of adequate housing is one of the significant challenges facing the Netherlands today. This exhibition addresses this issue as a essential piece of a grand spatial puzzle where housing interweaves with energy transition, climate adaptation, circularity, industry, agriculture, infrastructure and nature in new, symbiotic ways.

Creating living spaces must be a harmonious integration of housing, workspaces, areas for nature and food, energy hubs, and liveability in face of the climate threat. We firmly believe this integration is not just a necessity, but holds great potential for creating diverse, liveable, and future-proof living spaces.

TU Delft’s Vision Team Wonen, a multidisciplinary expert group appointed by the Rector Magificus of TU Delft, has gathered recommendations on the Dutch housing challenge. This led to two the advisory report “Ruimte voor Wonen: Naar een integrale aanpak van de Nederlandse woonopgave” (Space for Living: Towards an integrated approach to the Dutch housing challenge). Accompayining the report is the exhibition Room for housing, providing a visual representation of the integrated future that these recommendations can lead to.

The heart of the exhibition lies in four visionary visualisations commissioned to recent graduates from our Faculty by the Vision Team — Future-proof spatial planning, Resilient neighbourhoods, Diverse forms of living and Circular and modular ways of building—, each a fusion of housing with other essential uses.

Room for housing envisions an optimistic future of an integrated, future-proof space for life in the Netherlands—one characterized by enhanced spatiality and flexibility, with a stronger relationship with the environment, where each individual is offered a protected space and, simultaneously, capable of promoting interrelation and cohesion between neighbours.