This is practice presents spatial design as an expanded field of public action. Gathering more than forty faculty contributions, alongside archival material from Nieuwe Instituut, the exhibition shows practice through buildings, books, exhibitions, courses, archives, films, scenarios and atlases. Organised into five chapters, it examines how evidence, collaboration, publication, pedagogy and speculation address climate instability, displacement, housing pressure, territorial transformation and the erosion of public life. The exhibition frames drawing, mapping, sequencing, modelling, fieldwork, exhibiting and editing as spatial tools, revealing a faculty at work across formats, methods and audiences, and situating it within wider international communities of practice. ... Read more

Alwah House by RCR Arquitectes is read against Dubai’s landscape of artificial islands, sprawl, and architectural spectacle. The article argues that the house does not escape these contradictions, yet makes them spatially visible. Embedded in the desert, organised around a sunken oasis, and shaped by shade, wind, sand, and water, it proposes architecture as microclimate rather than object. Its patios, curved shells, and geological interiors suggest a more adaptive relation to nature. Still, as a single-family house within expanding urbanisation, it remains implicated in consumption, exposing the unresolved tension between ecological care and territorial excess at urban scale today itself. ... Read more

Asuncion is a city shaped by absence—of density, continuity, and connection. While its metropolitan area sprawls outward, its historic centre stands neglected and hollowed out. With one of the lowest urban densities in Latin America, Asuncion suffers from disjointed growth, fragile housing near flood-prone areas, and stark social segregation. The centre, once the city’s core, has been abandoned rather than revived. As climate challenges intensify, continuing outward expansion becomes untenable. Reinvesting in existing urban fabric—through inclusive housing, mobility, and public space—is not nostalgic but urgent. The future of Asuncion hinges on who benefits from its transformation—and who is left behind. ... Read more

This exhibition brings together practices, stories, and designs rooted in Indigenous intelligence — knowledge cultivated over centuries of living in close relationship with land, water, and community. The works on display highlight approaches grounded in reciprocity, resilience, and care, offering perspectives that contrast with extractive and colonial systems.

Projects range from matriarchal place-making and ecological governance to vernacular construction and cultural storytelling. All have been recently produced by students, PhD researchers, and educators at the Faculty of Architecture and the Built Environment.

Indigenous Intelligence invites visitors to reflect on how Indigenous knowledge can inspire future design and education. It challenges assumptions about technology and nature and explores how architecture and urbanism can shape not just spaces, but relationships between people, environments, and generations — with humility and care. ... Read more

A short walk in Buenos Aires reveals a stark contrast: from the self-built homes of Barrio Mujica to the polished towers of Barrio Norte. Life in Villa 31 is sustained by resilience, care, and informal networks, especially the unpaid labour of women. Though recent upgrades have improved infrastructure, deep inequalities persist—overcrowding, precarious work, and limited services. Formalization alone cannot bridge historical and social divides. True integration means valuing local knowledge, investing in care, and ensuring equal rights. Barrio Mujica stands as a space of dignity—and a reminder that the promise of a more just city remains unfinished. ... Read more

Every year, millions of people travel around the world in search of relaxation and pleasure. It has been said that humans have an inherent urge to wander, that exploring unfamiliar places can enrich our lives through mental and spiritual discovery. Whether for leisure, visiting others, faith, or simply creating lasting memories, the reasons to travel are as diverse as the destinations visited.

In recent decades, tourism has become one of the most powerful forces shaping the planet. After the slowdown caused by the Covid-19 pandemic, international arrivals surged again, reaching 1.46 billion in 2024 . Today, tourism represents 11.6% of global GDP and continues to expand.

This exhibition explores the threshold where tourism slides into overtourism—where the pleasure of travel collides with it planetary and social limits. Mass tourism generates new forms of extraction and exhaustion. Sites such as Rome’s Trevi Fountain or Mount Everest have become symbols of this saturation: destinations drowning in their own appeal. Beyond questions of overcrowding, overtourism places additional strain on already fragile systems. Responsible for nearly eight percent of global carbon emissions, the tourism industry disrupts ecologies and communities, often displacing residents and sparking protest. Tourism, once celebrated as a bridge between cultures, now exposes a contradiction: it consumes what it seeks to admire.

Design plays a key role in breaking this cycle of commodification, commercialisation, exhaustion, and degradation. Rather than rejecting tourism altogether, The other tourist: designing for coexistence asks how design can help us travel differently. Through design interventions, acts of care and gestures of recalibration, design can reveal other ways hosting, moving and sharing space. The exhibition highlights projects and policies—selected and interpreted by students— that shift tourism from exploitation toward coexistence, showing how architecture and urbanism can become tools for a slower, fairer, and more responsible relationship with our planet.

The other tourist: designing for coexistence invites us to look at tourism from both sides: as travellers and as designers. The exhibition is divided in five interconnected chapters, rather than a fixed route, encouraging the viewer to wander through them intuitively. Hanging from the ceiling, the installation Measuring overtourism exposes the data behind global tourism’s expansion, translating numbers into tangible spatial realities, and is complemented by Tourism dystopia, a collage depicting overtourism’s practices and consequences in the built environment. Beneath the tribune, Histories of Hospitality revisits designs that once shaped the culture of travel. At the centre, Designing for Coexistence gathers real-life design initiatives proposing another kind of tourism, one grounded in care, slowness and shared responsibility. Finally, the postcards covering the wall in Addressing the audience turn outward, transforming awareness into action through public imagination.

This exhibition stands on the fine line between awareness and hope. It asks how to communicate the urgency, and how design can turn awareness into agency. The other Tourist: designing for coexistence displays emergency while proposing design as a practice of hope—a reminder that understanding crisis is the first step toward imagining alternatives. This is where design stands: between the world as it is, and the one still possible. ... Read more

The Grand Paris Express (GPE), Europe’s largest infrastructure project, aims to reshape the Paris metropolitan area with over 200 kilometres of subway lines and 68 stations. Designed to improve connectivity and catalyse urban renewal, it symbolises a monumental step towards a more integrated city. However, beneath its sleek stations lies a narrative of displacement, gentrification and fractured communities. Conceived to integrate long-neglected banlieues into the metropolis, the GPE risks unintended consequences, such as rising property values that displace residents. [...] ... Read more

Spain’s 8,000 kilometers of coastline host diverse ecosystems, support 40% of the population, and attract millions of tourists but face severe threats from climate change, over-tourism, and urbanization. Rising sea levels could displace 1.5 million people by 2050. Urgent action is needed to integrate nature-based solutions, protect biodiversity, and ensure public access. Coastal regeneration must prioritize resilience, inclusivity, and regenerative economies, transforming coasts into spaces of coexistence, connection, and sustainability for a viable future. ... Read more

This compact exhibition explores how architects have historically presented their work—how they have narrated, framed, and projected architecture through books, drawings, images, websites, and film. From the first architectural publications in the Renaissance to the media platforms of today, the works trace a lineage of self-representation in architecture, and invite visitors to reflect on how architects see themselves—or how they would like to be seen.

The works on display reveal that architecture is not only practiced through building, but also through storytelling. Dissemination becomes a strategic act: a way to shape public image, to participate in broader discourse, and to claim a place in history. Whether in the form of an idealized villa, a monumental portfolio, a carbon-conscious website, or a speculative film, these acts of publishing expose something of the architect’s vision—not just of buildings, but of their own role in society.

The exhibition juxtaposes early treatises by Sebastiano Serlio and Andrea Palladio with 17th-century publications by Philips Vingboons and Jacob van Campen; the self-fashioned mythology of Frank Lloyd Wright in the Wasmuth Portfolio; and the methodical compilations of Le Corbusier’s “Oeuvre Complète”. Alongside these, contemporary formats expand the field of architectural communication: Koolhaas and Bruce Mau’s “S,M,L,XL”; Zaha Hadid’s manifestos; Norman Foster’s Foundation; the algorithmic interface of Vylder Vink’s website; La-Di-Da’s low-carbon platform; the visual grammar of Sub’s sortable thumbnail system; and selected Instagram feeds that stage architecture as performance and persona.

Also featured are the fictional geographies of Design Earth, the dense cartographies of MVRDV’s “KM3”, and the curated urbanity of Atelier Bow-Wow’s “Made in Tokyo”. A monitor screening speculative films by Liam Young adds another dimension, while projects by Andrés Jaque, Teddy Cruz and Fonna Forman, Léopold Lambert, and Studio Folder further expand the figure of the architect—as editor, activist, researcher, and storyteller.

Drawn from the Trésor Collection of TU Delft and complemented by reproductions and digital interfaces, this exhibition highlights how dissemination has always been integral to architectural practice—not only to make architecture visible, but to help it evolve. To publish is to design one’s own reception. To share work is to propose a vision of the future.
... Read more

Once the heart of São Paulo’s economic and cultural dynamism, the Região Central has experienced a decline since the late 20th century, as activity migrated to new areas. What remains today is a landscape of stark contrasts: an extraordinary collection of modern architecture – preserved largely due to stagnation – standing alongside hundreds of vacant or informally occupied buildings. Public spaces bear visible signs of neglect, with homelessness and crime concentrated in parts of the city’s core. [...] ... Read more

The article closes the two-year Domus cycle of Emerging Territories and Urgent Territories as a global cartography of spatial emergency. Across 22 articles, it traced housing precarity, environmental collapse, displacement, inequality and extractive damage from Rosario to Riyadh, Tashkent, Lusail and the Aral Sea. The text argues that design is implicated in these crises, through action, absence or alternative proposals. Yet it ends with disciplined hope: architects, researchers and educators must name emergencies, make them visible, and use design to construct political narratives, collective strategies and possible ways out of ecological, social and territorial breakdown worldwide, with care, urgently. ... Read more

Madrid has become a European powerhouse, attracting investment and tourism, yet faces a deepening housing crisis. Following the 2008 financial crash, abandoned neighborhoods symbolized unchecked speculation. Now, amid Spain’s economic boom, luxury property prices have surged, fueled by wealthy Latin American buyers. Rents and housing costs have skyrocketed, pricing out residents. Governance favors ultraliberal policies, with little investment in social housing. While initiatives like Cooperativa Entrepatios offer hope, widespread frustration persists, especially among younger generations. Overtourism exacerbates the crisis, highlighting the need for stronger public intervention. Will political leaders act, or is history repeating itself? [...] ... Read more

Málaga, once a gateway to the Costa del Sol, has become a cautionary tale of tourist overexposure. A cultural rebranding effort—anchored by museums and pedestrian upgrades—has drawn millions, but at great cost. Local shops have been replaced by chains, neighbourhoods like Lagunillas emptied by Airbnb, and public life hollowed out. While officials now propose limits on rentals and alternative tourist routes, the social and spatial damage is deep. Spaces like La Casa Invisible offer resistance, but broader questions loom: Can Spain continue to rely on such a fragile industry? Without structural change, it’s unclear if any local life will remain. ... Read more

Visiting the Aral Sea reveals devastation beyond imagination: a vanished ecosystem, abandoned ships, and desolate salt plains. Once the world’s fourth-largest lake, it was drained after Soviet irrigation projects diverted its rivers in the 1960s, triggering one of history’s worst human-made ecological disasters. The collapse of fisheries, toxic dust storms, and regional health crises followed. While Kazakhstan’s Kok-Aral Dam and reforestation efforts have partially revived the northern basin, the recovery remains fragile. The Aral’s story exposes how extractive design reshapes the planet — drying seas here, flooding cities elsewhere — and warns of the irreversible costs of human neglect and inaction. ... Read more

For more than a century, we’ve been designing housing—and redesigning it. We’ve measured, regulated, and planned. We’ve debated typologies, written manifestos, passed laws, and protested when neither were enough. Beneath it all, there’s been something quieter and more persistent: the desire for a home.

Housing Acts starts from that desire and moves outward—tracing how wishes for housing have been imagined, legislated, and resisted. The exhibition brings together a selection of 20th-century books written by architects who believed that housing—and the city—could be otherwise. These books were manifestos: statements that shaped the discourse of their time and offered new directions for dwelling.

Each is placed within a larger timeline—alongside key moments of Dutch housing legislation and three waves of public protest. The rent strikes of the 1930s, the squatting and housing movements of the 1980s, and the national demonstrations of 2021 are rendered through archival collages, capturing a recurring tension between everyday realities and institutional response.
Together, these fragments tell a story of housing as a field of conflict and invention. They remind us that homes are not neutral spaces—they are the outcome of decisions, negotiations, and sometimes resistance.

Housing Acts is an invitation to reflect on what kind of housing, and what kind of city, we still wish for. ... Read more

Every year, Rosario is engulfed in smoke from intentional fires across the Paraná Delta, one of South America’s largest and most biodiverse wetlands. These fires—set to clear land for cattle, crops, or speculation—have destroyed hundreds of thousands of hectares, eroding biodiversity and weakening a vital climate buffer. The consequences extend into the city, where smoke triggers health crises, school closures, and protests. Despite public pressure, Argentina still lacks a Wetlands Law, with agroindustry interests blocking reform. The burning delta exposes not only an ecological and urban emergency but also a political failure, questioning destructive models of development and coexistence. ... Read more

The shortage of adequate housing is one of the significant challenges facing the Netherlands today. This exhibition addresses this issue as a essential piece of a grand spatial puzzle where housing interweaves with energy transition, climate adaptation, circularity, industry, agriculture, infrastructure and nature in new, symbiotic ways.

Creating living spaces must be a harmonious integration of housing, workspaces, areas for nature and food, energy hubs, and liveability in face of the climate threat. We firmly believe this integration is not just a necessity, but holds great potential for creating diverse, liveable, and future-proof living spaces.

TU Delft’s Vision Team Wonen, a multidisciplinary expert group appointed by the Rector Magificus of TU Delft, has gathered recommendations on the Dutch housing challenge. This led to two the advisory report “Ruimte voor Wonen: Naar een integrale aanpak van de Nederlandse woonopgave” (Space for Living: Towards an integrated approach to the Dutch housing challenge). Accompayining the report is the exhibition Room for housing, providing a visual representation of the integrated future that these recommendations can lead to.

The heart of the exhibition lies in four visionary visualisations commissioned to recent graduates from our Faculty by the Vision Team — Future-proof spatial planning, Resilient neighbourhoods, Diverse forms of living and Circular and modular ways of building—, each a fusion of housing with other essential uses.

Room for housing envisions an optimistic future of an integrated, future-proof space for life in the Netherlands—one characterized by enhanced spatiality and flexibility, with a stronger relationship with the environment, where each individual is offered a protected space and, simultaneously, capable of promoting interrelation and cohesion between neighbours. ... Read more

Namibia, independent since 1990, thrives on mining critical minerals and emerging oil and gas industries, poised to become Africa's fifth-largest oil producer by 2030. Ambitions include global green hydrogen export and expanding port infrastructure in Walvis Bay and Lüderitz. While foreign investment, especially from China, drives growth, it raises concerns over unemployment, resource control, and environmental impact. Urbanization centers on Windhoek, where apartheid-era planning persists, marginalizing township residents and exacerbating inequalities. Addressing these disparities and fostering spatial justice is vital to ensure inclusive development amid economic and environmental challenges. ... Read more

With nearly 34 million residents, Chongqing stands as one of the world’s largest urban areas, defined by its steep terrain and unique verticality. This southwestern Chinese city integrates architecture with natural topography, creating interconnected pathways, towering structures, and multi-level transportation systems. Known for its “cyberpunk” aesthetics, landmarks like Raffles City and Hongyadong blend modernity with heritage. ... Read more

The Wasatch Front, home to 80% of Utah’s population, faces rapid urbanization, water scarcity, and environmental challenges. While Salt Lake City densifies its downtown to improve walkability and reduce sprawl, excessive water consumption threatens the Great Salt Lake, exposing toxic lakebeds and posing severe health risks. Mining activities, like the Bingham Canyon Mine, exacerbate ecological issues despite remediation efforts like the Daybreak development. With Utah's population projected to grow 66% by 2080, urgent measures are needed to cut water use and ensure sustainable growth in this vulnerable region. ... Read more