D.E. van Gameren
Please Note
34 records found
1
Reconceptualizing spatial capital to unlock spatial justice
The A.U.R.A. framework
Housing Acts
A timeline of manifestos, legislation, and resistance
Housing Acts starts from that desire and moves outward—tracing how wishes for housing have been imagined, legislated, and resisted. The exhibition brings together a selection of 20th-century books written by architects who believed that housing—and the city—could be otherwise. These books were manifestos: statements that shaped the discourse of their time and offered new directions for dwelling.
Each is placed within a larger timeline—alongside key moments of Dutch housing legislation and three waves of public protest. The rent strikes of the 1930s, the squatting and housing movements of the 1980s, and the national demonstrations of 2021 are rendered through archival collages, capturing a recurring tension between everyday realities and institutional response.
Together, these fragments tell a story of housing as a field of conflict and invention. They remind us that homes are not neutral spaces—they are the outcome of decisions, negotiations, and sometimes resistance.
Housing Acts is an invitation to reflect on what kind of housing, and what kind of city, we still wish for. ...
Housing Acts starts from that desire and moves outward—tracing how wishes for housing have been imagined, legislated, and resisted. The exhibition brings together a selection of 20th-century books written by architects who believed that housing—and the city—could be otherwise. These books were manifestos: statements that shaped the discourse of their time and offered new directions for dwelling.
Each is placed within a larger timeline—alongside key moments of Dutch housing legislation and three waves of public protest. The rent strikes of the 1930s, the squatting and housing movements of the 1980s, and the national demonstrations of 2021 are rendered through archival collages, capturing a recurring tension between everyday realities and institutional response.
Together, these fragments tell a story of housing as a field of conflict and invention. They remind us that homes are not neutral spaces—they are the outcome of decisions, negotiations, and sometimes resistance.
Housing Acts is an invitation to reflect on what kind of housing, and what kind of city, we still wish for.
Architects disseminate
Books, media, and the performance of practice
The works on display reveal that architecture is not only practiced through building, but also through storytelling. Dissemination becomes a strategic act: a way to shape public image, to participate in broader discourse, and to claim a place in history. Whether in the form of an idealized villa, a monumental portfolio, a carbon-conscious website, or a speculative film, these acts of publishing expose something of the architect’s vision—not just of buildings, but of their own role in society.
The exhibition juxtaposes early treatises by Sebastiano Serlio and Andrea Palladio with 17th-century publications by Philips Vingboons and Jacob van Campen; the self-fashioned mythology of Frank Lloyd Wright in the Wasmuth Portfolio; and the methodical compilations of Le Corbusier’s “Oeuvre Complète”. Alongside these, contemporary formats expand the field of architectural communication: Koolhaas and Bruce Mau’s “S,M,L,XL”; Zaha Hadid’s manifestos; Norman Foster’s Foundation; the algorithmic interface of Vylder Vink’s website; La-Di-Da’s low-carbon platform; the visual grammar of Sub’s sortable thumbnail system; and selected Instagram feeds that stage architecture as performance and persona.
Also featured are the fictional geographies of Design Earth, the dense cartographies of MVRDV’s “KM3”, and the curated urbanity of Atelier Bow-Wow’s “Made in Tokyo”. A monitor screening speculative films by Liam Young adds another dimension, while projects by Andrés Jaque, Teddy Cruz and Fonna Forman, Léopold Lambert, and Studio Folder further expand the figure of the architect—as editor, activist, researcher, and storyteller.
Drawn from the Trésor Collection of TU Delft and complemented by reproductions and digital interfaces, this exhibition highlights how dissemination has always been integral to architectural practice—not only to make architecture visible, but to help it evolve. To publish is to design one’s own reception. To share work is to propose a vision of the future.
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The works on display reveal that architecture is not only practiced through building, but also through storytelling. Dissemination becomes a strategic act: a way to shape public image, to participate in broader discourse, and to claim a place in history. Whether in the form of an idealized villa, a monumental portfolio, a carbon-conscious website, or a speculative film, these acts of publishing expose something of the architect’s vision—not just of buildings, but of their own role in society.
The exhibition juxtaposes early treatises by Sebastiano Serlio and Andrea Palladio with 17th-century publications by Philips Vingboons and Jacob van Campen; the self-fashioned mythology of Frank Lloyd Wright in the Wasmuth Portfolio; and the methodical compilations of Le Corbusier’s “Oeuvre Complète”. Alongside these, contemporary formats expand the field of architectural communication: Koolhaas and Bruce Mau’s “S,M,L,XL”; Zaha Hadid’s manifestos; Norman Foster’s Foundation; the algorithmic interface of Vylder Vink’s website; La-Di-Da’s low-carbon platform; the visual grammar of Sub’s sortable thumbnail system; and selected Instagram feeds that stage architecture as performance and persona.
Also featured are the fictional geographies of Design Earth, the dense cartographies of MVRDV’s “KM3”, and the curated urbanity of Atelier Bow-Wow’s “Made in Tokyo”. A monitor screening speculative films by Liam Young adds another dimension, while projects by Andrés Jaque, Teddy Cruz and Fonna Forman, Léopold Lambert, and Studio Folder further expand the figure of the architect—as editor, activist, researcher, and storyteller.
Drawn from the Trésor Collection of TU Delft and complemented by reproductions and digital interfaces, this exhibition highlights how dissemination has always been integral to architectural practice—not only to make architecture visible, but to help it evolve. To publish is to design one’s own reception. To share work is to propose a vision of the future.
From Dispossession to Resilience
Navigating Anthropocenic Spatial Justice
Utilising Lefebvre's “right to the city”, the chapter explores how collective actions, despite lacking institutional support, emerge as resilience mechanisms against top-down approaches. Through preliminary fieldwork and secondary literature, this study discusses the challenges faced by marginalised communities in the Anthropocene and the transformative potential of collective resistance for achieving spatial justice. ...
Utilising Lefebvre's “right to the city”, the chapter explores how collective actions, despite lacking institutional support, emerge as resilience mechanisms against top-down approaches. Through preliminary fieldwork and secondary literature, this study discusses the challenges faced by marginalised communities in the Anthropocene and the transformative potential of collective resistance for achieving spatial justice.
Ruimte voor wonen
Naar een integrale aanpak van de Nederlandse woonopgave
Woningnood is geen nieuw verschijnsel in ons land. Al in de negentiende eeuw leidde snelle bevolkingsgroei en verstedelijking tot een huisvestingstekort; de woningwet van 1901 moest daar een eind aan maken. In de wederopbouwjaren na de tweede wereldoorlog kwam de woningbouw maar langzaam op gang. En in de jaren 80 van de vorige eeuw was ‘geen woning, geen kroning’ de leus van demonstranten die aandacht vroegen voor woningnood. ...
Woningnood is geen nieuw verschijnsel in ons land. Al in de negentiende eeuw leidde snelle bevolkingsgroei en verstedelijking tot een huisvestingstekort; de woningwet van 1901 moest daar een eind aan maken. In de wederopbouwjaren na de tweede wereldoorlog kwam de woningbouw maar langzaam op gang. En in de jaren 80 van de vorige eeuw was ‘geen woning, geen kroning’ de leus van demonstranten die aandacht vroegen voor woningnood.
Housing Atlas
Europe - 20th Century
Chronologically ordered, this is an essential survey of these key housing projects, produced by a pan-European team of leading scholars. Complete with contextual essays, the studies each include a history and analysis of the projects and the drawings are presented in a way that makes them readily comparable. ...
Chronologically ordered, this is an essential survey of these key housing projects, produced by a pan-European team of leading scholars. Complete with contextual essays, the studies each include a history and analysis of the projects and the drawings are presented in a way that makes them readily comparable.
Dutch Dwellings
The Architecture of Housing
In four supplementary essays, van Gameren explores evolutions in residential architecture in the Netherlands. He positions his own concepts in the context of these developments and expands on what he considers the key factors of good housing design. He places particular focus on affordable housing, a pressing issue in so many countries and metropolitan areas around the world.
Dutch Dwellings is an inspiring read for anyone involved in housing design today. ...
In four supplementary essays, van Gameren explores evolutions in residential architecture in the Netherlands. He positions his own concepts in the context of these developments and expands on what he considers the key factors of good housing design. He places particular focus on affordable housing, a pressing issue in so many countries and metropolitan areas around the world.
Dutch Dwellings is an inspiring read for anyone involved in housing design today.
Dwelling Beyond Cultural Differences
Architectural education for peripheral urbanization in Bangladesh, Ethiopia and India
Bedaux de Brouwer Architecten
Works 2021-2003
Shaping Addis Ababa
The formative role of diplomacy
Unveiling Iranian courtyard house
The example of Kuy-e Chaharsad-Dastgah (1946–1950)
This article discusses the transformation of the traditional Iranian courtyard house type and neighbourhood structure in the early 20th century Iran, and focuses on the design of public housing in the country’s early years of modernisation, after the second World War. It explores how (urban) legislations by Iranian reformists and modernists, and the compulsory unveiling law implemented between 1936 and 1943 contributed to change the image of urban areas and the everyday life of Iranians, particularly in Tehran. While this article provides a short overview of these transformations, it discusses how Iranian architects, educated in Europe, attempted to reconceptualise the ideal form of living, the courtyardgarden house (Khaneh-Bagh), for large-scale housing production, in the country. This article shows how the transformation of this house type became an instrument of accommodating both change and resistance in terms of local customs and habits, in Kuy-e Chaharsad-Dastgah, built between 1946 and 1950 in Tehran. To illustrate these, the design and development of this experimental housing project is analysed in details. It is also demonstrated how this project was developed based on a “planning document” revised by a group of modernist Iranian architects, who intended to improve the hygiene condition of living environments and to accommodate a large number of low-income civil servants in post-World War II, Tehran. It is argued that dual characteristics of the Iranian courtyard house allowed for both incorporating imported models, and simultaneously resisting universalising tendencies towards homogenisation, in the case of Chaharsad-Dastgah.
In developed countries, the share of the elderly (65+) is growing quickly. In the Netherlands it might reach 25 to 30% of the population by 2040 (see Figure 1). We design best living concepts for the elderly, based on a research in their residential preferences. Our novel methodology combines insights from social sciences and architecture. A stated choice experiment retrieves the willingness-to-pay of the elderly for a set of relevant attributes of the dwelling, building and location. The attributes with the highest valuation are used as an input for a flexible architectural design.
Best living concepts for elderly homeowners
Combining a stated choice experiment with architectural design
while making use of standard architectural elements. ...
while making use of standard architectural elements.
The artist’s studio is a special kind of workhome. In Amsterdam-Zuid, these studios demonstrate how paradigm shifts in urban design have had major consequences for the way in which combined living and working spaces manifested in the city over two decades. ...
The artist’s studio is a special kind of workhome. In Amsterdam-Zuid, these studios demonstrate how paradigm shifts in urban design have had major consequences for the way in which combined living and working spaces manifested in the city over two decades.