Dv
D.E. van den Burg
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Apposition
Architecture beside uncertainty
This graduation project investigates how architecture can function in a place where permanent construction is not self-evident. The starting point for this research lies in Midden-Delfland, where the transition between city and landscape is under pressure from housing demand, infrastructure, climate adaptation and changing patterns of land use. Within the larger urban development plan, Region 2, the Definitieve OpslagPlaats NoordOost-Abtspolder (DOP NOAB), forms a critical point of tension. The presence of contaminated ground, technical restrictions and a maintenance-dependent cover system make conventional forms of construction problematic.
The project, titled Apposition, starts from the question of how an adaptive architectural system can be designed for contaminated ground. Rather than hiding the uncertainty of the site or attempting to resolve it completely, this uncertainty is used as the starting point for the design. Apposition describes an architectural attitude in which different conditions are organised alongside one another: contaminated ground and dwelling, temporality and residential quality, individual homes and collective structures, landscape and building.
The design develops a modular and reversible housing system that can be placed, adapted, dismantled and reused. Compact dwellings are supported by collective spaces, shared outdoor areas and a landscape strategy that softens the hard transition between the city and Midden-Delfland. At the level of material and detail, the project investigates how demountable connections, biobased materials and reused components can contribute to an architecture that touches the ground lightly.
The project shows that contaminated ground does not only have to be understood as a limitation, but can also become the starting point for another form of architecture: adaptive, collective, reversible and conscious of time. In doing so, Apposition proposes a way of building that can become meaningful without being fully dependent on permanence.
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This graduation project investigates how architecture can function in a place where permanent construction is not self-evident. The starting point for this research lies in Midden-Delfland, where the transition between city and landscape is under pressure from housing demand, infrastructure, climate adaptation and changing patterns of land use. Within the larger urban development plan, Region 2, the Definitieve OpslagPlaats NoordOost-Abtspolder (DOP NOAB), forms a critical point of tension. The presence of contaminated ground, technical restrictions and a maintenance-dependent cover system make conventional forms of construction problematic.
The project, titled Apposition, starts from the question of how an adaptive architectural system can be designed for contaminated ground. Rather than hiding the uncertainty of the site or attempting to resolve it completely, this uncertainty is used as the starting point for the design. Apposition describes an architectural attitude in which different conditions are organised alongside one another: contaminated ground and dwelling, temporality and residential quality, individual homes and collective structures, landscape and building.
The design develops a modular and reversible housing system that can be placed, adapted, dismantled and reused. Compact dwellings are supported by collective spaces, shared outdoor areas and a landscape strategy that softens the hard transition between the city and Midden-Delfland. At the level of material and detail, the project investigates how demountable connections, biobased materials and reused components can contribute to an architecture that touches the ground lightly.
The project shows that contaminated ground does not only have to be understood as a limitation, but can also become the starting point for another form of architecture: adaptive, collective, reversible and conscious of time. In doing so, Apposition proposes a way of building that can become meaningful without being fully dependent on permanence.
The influence of Regional Building Materials on the Architecture of French Gothic Cathedrals
A comparative Study of the Cathedrals: Chartres, Amiens and Albi
This thesis discusses to what extent local building materials influenced in the structural composition, aesthetic beauty and symbolic meaning of three great French Gothic cathedrals Chartres, Amiens and Albi. While Gothic architecture is normally imagined as a monolithic stylistic phenomenon, this thesis illustrates that local material availability and geological location had a significant role in generating diverse architectural outcomes. Through comparison, the research demonstrates how limestone at Chartres and Amiens enabled verticality, intricate sculpture and light interiors, whereas brick in Albi produced enormous, fortress-like buildings emphasizing ecclesiastical domination. From architectural theory, historical records and material analysis, this research reveals the material, spatial interdependence of place and architectural innovation, demonstrating a more nuanced understanding of Gothic architecture as regionally and materially dependent.
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This thesis discusses to what extent local building materials influenced in the structural composition, aesthetic beauty and symbolic meaning of three great French Gothic cathedrals Chartres, Amiens and Albi. While Gothic architecture is normally imagined as a monolithic stylistic phenomenon, this thesis illustrates that local material availability and geological location had a significant role in generating diverse architectural outcomes. Through comparison, the research demonstrates how limestone at Chartres and Amiens enabled verticality, intricate sculpture and light interiors, whereas brick in Albi produced enormous, fortress-like buildings emphasizing ecclesiastical domination. From architectural theory, historical records and material analysis, this research reveals the material, spatial interdependence of place and architectural innovation, demonstrating a more nuanced understanding of Gothic architecture as regionally and materially dependent.