The aim of the thesis is to research how the workspace typology could change in distant future of 2050 in Amsterdam under the influence of immersive technologies, such as Virtual and Augmented reality. Such aspects as influence of technologies on company structures, space organization and program of a building are deeply investigated. The design proposal is build upon the conclusions made from the research and translated into architecture.

Problem statement - We are currently living in an individualized western society, connected virtually but disconnected physically with one another. Communication technology is one of the main causes of loneliness which has serious health consequences. There is a decline in public life in the city due to the rise of the internet. We are in need of more open societies where social and cultural exchange can take place. There will be a need for these places in Amsterdam that will simultaneously create communities where people socially interact with one another. Social media is currently the biggest online community and could provide a large contribution to their own market position and social entertainment by creating a physical space where this can occur in the city. Research Question- How can social media contribute to providing a physical space for people to connect and spend their free time in the future? Ambition- Taking people out of the virtual world to experience the physical world where they connect with oneself and others. Contributing to the development of high quality recreational destinations in the city center of Amsterdam. Strategy design of the Facebook Hall: symbol and test ground for future social media venues.

Cuba has been reluctant to engage and follow global developments in the past decades. Even in comparison to other socialist economic nations, Cuba has retained a strong focus on domestic political doctrine, leaving economics to bureaucratic decision making. But as its monotonous import focussed market stands on the brink of change in an era of global trade and interdependence, economic change is imminent. With the possibility of future foreign investments, the question of the architectural change Cuba will endure will be the focus of this discourse, with as a case study the return of the Bacardi HQ to its heritage. Bacardi’s history goes back to the very beginnings of Cuban rum production. The brand quickly became the first Cuban company to engage with a globalising market and followed the capitalistic mindset of the U.S. After being exiled due to Castro’s nationalisation of all Cuban companies, the company nonetheless thrived and grew out to become one of the biggest liquor producers worldwide. Recently, the brand has stated its return to Cuba if the American embargo would be dropped; a changing political context between the U.S. and Cuba offers new possibilities. How can Cuba benefit architecturally and aesthetically from foreign investments in their gradual transformation towards a free market economy? Bacardi’s Havana Headquarters will pave the way in Cuba’s gradual economic transformation by being a patron of Cuban heritage, and simultaneously offering young entrepreneurial talent a platform to exchange knowledge and flourish internationally by benefiting of Bacardi’s global network.

The almost sixty year Castro regime has driven the island of Cuba into isolation. Infrastructure on the island fully relies on the nation own capacity and since the special period like everything else this is in an overall state of decline. The ongoing neglected state of Cuba's infrastructure, together with a continuous scarcity of resources and inefficient logistics have made Havana into an immobile city. However Cuba understands that it cannot longer stay isolated and economically dependent on others, therefore Cuba in a state of change and slowly opening up to the world The city opposes numerous problems with underutilized potentials in order to become a contemporary city. The opposed question is how can Havana become a more connected city with a high level of urban mobility to establish a prosperous future. The main goal of the project is to connect people, neighborhoods and infrastructure together by blending different transportation options into one transportation hub. Spatial building principles off unity, clarity and connectivity symbolizes an strong transportation typology, that will connect the old historic city to the future Redevelopment of the old harbor area and becomes a transition zone from fine to bigger scale and from residential to a commercial character. The building has a perpendicular orientation relative to the infrastructure and forms a bridge that binds and orders all infrastructure lines seamlessly together, giving the traveler full possibility of transfer between.

Amsterdam has become a city predominantly focused on consumers. Makers and user are drifting away from each other, which results in environmental pressure, mental disconnection from the production process and loss of the potentialities provided by the urban environment. Recent trends allow for restoring the relationship between the production process and the city. Digital fabrication, such as additive manufacturing techniques and other CAD innovations bring back the essence of craftsmanship, namely, on-demand, personalized production , tailored of consumer goods with a ‘batch-size-of-one’, available for all. The Urban Manufactory embeds production program (again) in the urban context and enables interaction between consumer and producer. The building consists of a tower volume in which production program is stacked. Products leave the building, after assembly, packaging and storage, through air and over land.The tower sits in a base volume that contains program that has a supportive function, such as a research centre, a knowledge centre and office space.

In Sculpting Sensations, I embark on an exploration of how architecture can transcend the purely visual to engage the full spectrum of human senses. This project delves into the psychological and emotional impact of sensory-rich environments, uncovering how the interplay of materials, light, sound, and texture can shape our experiences and evoke deep emotional responses. Through research and design, I demonstrate how sensory synergy can be used as a method to create spaces that resonate on a personal and emotional level. The journey begins with an investigation into sensory perception, exploring how we interact with and are influenced by our surroundings. This research phase lays the foundation for a series of design interventions that culminate in a unique museum concept, where each space is sculpted to evoke specific emotions and sensations. Sculpting Sensations is not just a reflection of an academic journey; it is a manifesto for a more empathetic and human-centered approach to architecture. By bridging technical innovation with sensory and emotional considerations, this work paves the way for creating built environments that are not only functional and aesthetically pleasing but also profoundly enriching to the human experience. Join me on this inspiring journey and discover how architecture can touch the heart, engage the senses, and sculpt the sensations that shape our lives.

In Sculpting Sensations, I embark on an exploration of how architecture can transcend the purely visual to engage the full spectrum of human senses. This project delves into the psychological and emotional impact of sensory-rich environments, uncovering how the interplay of materials, light, sound, and texture can shape our experiences and evoke deep emotional responses. Through research and design, I demonstrate how sensory synergy can be used as a method to create spaces that resonate on a personal and emotional level. The journey begins with an investigation into sensory perception, exploring how we interact with and are influenced by our surroundings. This research phase lays the foundation for a series of design interventions that culminate in a unique museum concept, where each space is sculpted to evoke specific emotions and sensations. Sculpting Sensations is not just a reflection of an academic journey; it is a manifesto for a more empathetic and human-centered approach to architecture. By bridging technical innovation with sensory and emotional considerations, this work paves the way for creating built environments that are not only functional and aesthetically pleasing but also profoundly enriching to the human experience. Join me on this inspiring journey and discover how architecture can touch the heart, engage the senses, and sculpt the sensations that shape our lives.

In the face of changing climate and the increasing threats of flooding in low-lying Dutch polder landscapes, the demand for new development in adaptive residential architecture becomes crucial. This research explores the development of a lightweight amphibious building concept, designed to dynamically respond to changing water levels in the flood-prone wetlands of Groningen. The study delves into living with water typologies, construction techniques for amphibious buildings, and the utilization of paper and wood as a building material in lightweight constructions. The central hypothesis posits that a combination of a dynamic semi-floating foundation, coupled with paper as a sustainable and lightweight building material, offers new possibilities for future buildings in the floodplains of rivers. The research question addresses how buildings can effectively adapt to fluctuating water levels in Dutch polder landscapes through the incorporation of a lightweight biobased building construction and an adaptable dynamic floating foundation. The objective is to identify key elements by forming a series of design requirements for an amphibious building concept that tackles climate challenges by new construction techniques and biobased building materials. The thesis is carried out by a literature study of floating constructions and paper constructions, a precedents study and an experimenting phase through research by design. The findings indicate that an amphibious construction could be implemented in various ways, depending on the situation and location. When the river’s floodplain is submerged, the building will start to float. It should be considered that everything is connected flexibly, and access roads remain accessible. Paper constructions contribute to a stable, more sustainable, and cheaper building, enabling larger-scale buildings to be executed amphibiously. Paper constructions, with the right design, can meet the construction standards of traditional building materials and also score well in terms of recyclability and disassembly. However, paper as a building material poses additional risks in comparison with the traditional building materials. Also, the practical longevity of such structures remains a matter of debate. For an amphibious building that is specifically aimed at adapting to the future, it is important that the building materials can last a long time. Paper as a building material is a good alternative, but in the application of amphibious living it could be inadequate due to its lifespan. These research results are used in the design assignment of an amphibious housing complex in a water-rich neighborhood in the Reitdiep area in Groningen. This building implements aspects such as sustainability, technical features, adaptability to climate change and collective living community.

In the face of changing climate and the increasing threats of flooding in low-lying Dutch polder landscapes, the demand for new development in adaptive residential architecture becomes crucial. This research explores the development of a lightweight amphibious building concept, designed to dynamically respond to changing water levels in the flood-prone wetlands of Groningen. The study delves into living with water typologies, construction techniques for amphibious buildings, and the utilization of paper and wood as a building material in lightweight constructions. The central hypothesis posits that a combination of a dynamic semi-floating foundation, coupled with paper as a sustainable and lightweight building material, offers new possibilities for future buildings in the floodplains of rivers. The research question addresses how buildings can effectively adapt to fluctuating water levels in Dutch polder landscapes through the incorporation of a lightweight biobased building construction and an adaptable dynamic floating foundation. The objective is to identify key elements by forming a series of design requirements for an amphibious building concept that tackles climate challenges by new construction techniques and biobased building materials. The thesis is carried out by a literature study of floating constructions and paper constructions, a precedents study and an experimenting phase through research by design. The findings indicate that an amphibious construction could be implemented in various ways, depending on the situation and location. When the river’s floodplain is submerged, the building will start to float. It should be considered that everything is connected flexibly, and access roads remain accessible. Paper constructions contribute to a stable, more sustainable, and cheaper building, enabling larger-scale buildings to be executed amphibiously. Paper constructions, with the right design, can meet the construction standards of traditional building materials and also score well in terms of recyclability and disassembly. However, paper as a building material poses additional risks in comparison with the traditional building materials. Also, the practical longevity of such structures remains a matter of debate. For an amphibious building that is specifically aimed at adapting to the future, it is important that the building materials can last a long time. Paper as a building material is a good alternative, but in the application of amphibious living it could be inadequate due to its lifespan. These research results are used in the design assignment of an amphibious housing complex in a water-rich neighborhood in the Reitdiep area in Groningen. This building implements aspects such as sustainability, technical features, adaptability to climate change and collective living community.

This graduation report explains and illustrates the graduation project of Simone Hermans, entitled De Wadloper. The graduation project is part of the Technologies & Aesthetics graduation studio, a studio of the Form Studies chair. The graduation report consists of three parts: the research, the design and the technical foundation. The Wadloper is a project focused on landscape-based design, with a focus on the implementation of technology and aesthetics. In the research, the landscape of Groningen was analysed, after which a master plan was designed for the region. This master plan includes space for a new research and visitor centre, located in the restored Lauwerszee. This centre, De Wadloper, consists of two parts: the visitor centre positioned against the Zoutkamperdijk, and the pavilion, placed in the Wadden Sea. In particular, the design focuses on the pavilion; a unique and innovative structure. De Wadloper innovatively relates to the effects of tides and rising sea levels by allowing it, like its visitors, to walk across the mud flats.