Design research is inherently both social and political. We are living and working in times of great unrest and upheaval, and we feel that our work must increasingly reflect this. We propose this workshop to engage with the material practices of protest. These range from long-held traditions of banners and badges to more emergent forms of zines, stickers, tattoos, and visible repairs.We propose a day of making and exchange to engage these practices. We will explore the materiality of the protest banner as a surface of collective expression, while also emphasizing care, repair, and feminist practices of collective knowledge-making in design research. Practically, we will be making banners, stickers, and temporary tattoos, using a speculative trade union as a unifying structure for discussions around care and justice in design.

The Sensing in the Wild Lab is a speculative experiment in designing a de- centralised urban sensing system from a more-than-human perspective. It is part of DCODE, an H2020-ITN project that explores the future of designing with AI. During the Lab participants assume different identities – roleplaying as children but also as moss, as municipal authorities, as CCTV cameras, as pigeons, and as undocumented immigrants trying to evade the authorities – and are asked to feed into the sensing system data that reflects their particular perspectives and interests. The data partici- pants share, in the form of an image and text uploaded to a dedicated WhatsApp channel, helps to reveal both frictions and alignments among actors. In this, the Lab offers municipalities an opportunity to shift their thinking about the future smart city from a “system of systems” that is optimised for a few city dwellers to a much more distributed, inclusive meshwork in which data is contributed, circulated, and negoti- ated by humans and nonhumans alike.