DS
D. Scholten
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Theatrics
Where theatre begins before the performance
The project investigates how a new theatre for Theater De Veste in Delft can become more than a place for performances alone. The brief asks for a contemporary commercial theatre, with a larger main hall, a secondary venue, and the supporting spaces required. These conditions position the performance halls as controlled machines: spaces defined by technical standards, logistics, comfort, and efficiency.
Rather than rejecting this condition, the project accepts the halls as machine-like volumes and shifts the architectural focus to the spaces surrounding them. The project asks how the theatre can become part of everyday urban life through public interiors, flexible shared spaces, theatrical thresholds, backstage working environments, and a renewed relationship to the city.
The design is situated on the HEMA site in the southern part of Delft’s historic centre. By reusing existing structures, creating a new urban square, framing views, and staging different routes for visitors, staff, and performers, the project expands the idea of theatre beyond the hall. Theatre is understood not only as performance, but as a collective experience that begins in the city and continues through the spaces around the stage. ...
Rather than rejecting this condition, the project accepts the halls as machine-like volumes and shifts the architectural focus to the spaces surrounding them. The project asks how the theatre can become part of everyday urban life through public interiors, flexible shared spaces, theatrical thresholds, backstage working environments, and a renewed relationship to the city.
The design is situated on the HEMA site in the southern part of Delft’s historic centre. By reusing existing structures, creating a new urban square, framing views, and staging different routes for visitors, staff, and performers, the project expands the idea of theatre beyond the hall. Theatre is understood not only as performance, but as a collective experience that begins in the city and continues through the spaces around the stage. ...
The project investigates how a new theatre for Theater De Veste in Delft can become more than a place for performances alone. The brief asks for a contemporary commercial theatre, with a larger main hall, a secondary venue, and the supporting spaces required. These conditions position the performance halls as controlled machines: spaces defined by technical standards, logistics, comfort, and efficiency.
Rather than rejecting this condition, the project accepts the halls as machine-like volumes and shifts the architectural focus to the spaces surrounding them. The project asks how the theatre can become part of everyday urban life through public interiors, flexible shared spaces, theatrical thresholds, backstage working environments, and a renewed relationship to the city.
The design is situated on the HEMA site in the southern part of Delft’s historic centre. By reusing existing structures, creating a new urban square, framing views, and staging different routes for visitors, staff, and performers, the project expands the idea of theatre beyond the hall. Theatre is understood not only as performance, but as a collective experience that begins in the city and continues through the spaces around the stage.
Rather than rejecting this condition, the project accepts the halls as machine-like volumes and shifts the architectural focus to the spaces surrounding them. The project asks how the theatre can become part of everyday urban life through public interiors, flexible shared spaces, theatrical thresholds, backstage working environments, and a renewed relationship to the city.
The design is situated on the HEMA site in the southern part of Delft’s historic centre. By reusing existing structures, creating a new urban square, framing views, and staging different routes for visitors, staff, and performers, the project expands the idea of theatre beyond the hall. Theatre is understood not only as performance, but as a collective experience that begins in the city and continues through the spaces around the stage.
In Dienst van de Mens?
Representatie in de Kantoorarchitectuur van de Hoogovens in de Wederopbouw
Dit onderzoek richt zich op de representatie van het bedrijf en vooral de werknemer in de kantoorarchitectuur van de wederopbouwperiode in Nederland, met het hoofdkantoor van de Koninklijke Nederlandse Hoogovens en Staalfabrieken (KNHS) als casestudy. In de wederopbouw werd deze architectuur gekenmerkt als ‘representatieve werkpaleizen‘. Het hoofdkantoor van de Hoogovens valt hier ook onder. Het onderzoek verdiept zich in de verschillende prijsvraag ontwerpen voor het hoofdkantoor en het uiteindelijke ontwerp van W.M. Dudok. Door middel van symboliek, ruimtelijke opzet en materiaal wist Dudok een gebouw te ontwerpen dat ruimte bood voor de werknemer. Het onderzoek toont aan hoe kantoorarchitectuur in deze periode niet alleen het bedrijfsimago, maar ook sociale en ideologische visies op arbeid en representatie weerspiegelde.
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Dit onderzoek richt zich op de representatie van het bedrijf en vooral de werknemer in de kantoorarchitectuur van de wederopbouwperiode in Nederland, met het hoofdkantoor van de Koninklijke Nederlandse Hoogovens en Staalfabrieken (KNHS) als casestudy. In de wederopbouw werd deze architectuur gekenmerkt als ‘representatieve werkpaleizen‘. Het hoofdkantoor van de Hoogovens valt hier ook onder. Het onderzoek verdiept zich in de verschillende prijsvraag ontwerpen voor het hoofdkantoor en het uiteindelijke ontwerp van W.M. Dudok. Door middel van symboliek, ruimtelijke opzet en materiaal wist Dudok een gebouw te ontwerpen dat ruimte bood voor de werknemer. Het onderzoek toont aan hoe kantoorarchitectuur in deze periode niet alleen het bedrijfsimago, maar ook sociale en ideologische visies op arbeid en representatie weerspiegelde.