People continually shape the landscape. The landscape being a palimpset of their socio-economic and cultural ethos. Few landscapes become valued as heritage and a marker for regional identity. However, often times, landscapes deemed as heritage might not strike upan attachment with the lives of the people around and within it. A heritage landscape for a few might mean very little to many others. Additionally, when elements composition the heritage landscape begin to fall apart, the landscape is pushed further into a state of disassociations.The estate landscape of the Baakse Beek narrates quite a similar tale. It is an estate landscape losing prominence and attachment from the rural lives. This broken relationship is further aggravated by the brook decaying functionally, ecologically and sensorially. Curating experiences offers a revitalisation of the heritage estates to become a setting for formation of experiential narratives and appreciation of the brook, which vitalises the aesthetic and ecological diversity within these estates. In doing so, the research entails the use of narratives as a method for documenting the uniqueness that lies in the basic unitof the landscape’s composition i.e the enclosures, mapping the experiences in these enclosures and alongthe brook, and constructing the plethora of socio-cultural engagements and perceptions in and with the landscape. Enriched by the theories of Sensorial Landscape, Seasonality of Landscape and Aesthetic Engagement, the research led to the curation of a tapestry of sensorially stimulating and engaging spaces. The project delivers a way of seeing the brook as integral to the experience of the landscape . It hopes to inspire the different stakeholders of the landscape to envision a more whole some outlook of looking at the sustainability of these heritage landscapes not only in functional terms, but also in terms of socio-cultural connections that sustain the value of this landscape.