This paper proposes a Low-Noise Block (LNB) downconverter operating in the Ku-band for Cubesat transponders. The frontend is composed by a Low-Noise Amplifier (LNA) and two switchable Substrate Integrated Waveguide (SIW) filters, providing a frequency reconfigurability to the system. The LNB is completed by a downconversion unit, constituted by a mixer, a PLL frequency synthesizer and an IF amplifier. A first breadboard features an overall gain of 54 dB with a 2.3 dB noise figure. The worst case linearity performance indicates an input-referred 1 dB compression point (P1dB) and a third-order intercept point (IIP3) equal to -27 dBm and -16 dBm respectively. This work is important since demonstrates a low-cost solution for satellite radio apparatuses based on commercial components and standard PCB.

This paper proposes a low-noise receiver frontend for nanosatellite and Cubesat platforms. The frontend is composed by a Low-Noise Amplifier (LNA) and two Substrate Integrated Waveguide (SIW) filters, providing a frequency reconfigurability to the system. The two filters operate in the 13 and in the 14 GHz uplink bands, and are selected by means of a pair of solid-state SPDT switches. As a results, 15.5 dB gain with 2.4 dB noise figure for the 13 GHz configuration and 17.8 dB gain with 2.3 dB noise figure for the 14 GHz configuration are obtained. This work is important since demonstrates a low-cost solution for satellite radio apparatuses based on commercial components on a standard PCB.

The Audible Universe project aims to create dialogue between two scientific domains investigating two distinct research objects: stars and sound. It has been instantiated within a collaborative workshop that began to mutually acculturate the two communities, by sharing and transmitting respective knowledge, skills and practices. One main outcome of this exchange was a global view on the astronomical data sonification paradigm for observing the diversity of tools, uses and users (including visually impaired people), but also the current limitations and potential methods of improvement. From this viewpoint, here we present basic elements gathered and contextualized by sound experts in their respective fields (sound perception/cognition, sound design, psychoacoustics, experimental psychology), to anchor sonification for astronomy in a more well informed, methodological and creative process.