PUBLIC + BUILDING, A design approach for the new Flemish Museum of Contemporary Art (VMHK) formerly known as M HKA
D.R.N. Manuel (TU Delft - Architecture and the Built Environment)
S. Pietsch – Mentor (TU Delft - Situated Architecture)
Amy Thomas – Mentor (TU Delft - Situated Architecture)
M. Parravicini – Mentor (TU Delft - Architectural Technology)
D.A. Sepulveda – Graduation committee member (TU Delft - Spatial Planning and Strategy)
D.J. Rosbottom – Graduation committee member (TU Delft - Situated Architecture)
M Pimlott – Graduation committee member (TU Delft - Situated Architecture)
S. De Vocht – Graduation committee member (TU Delft - Situated Architecture)
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Abstract
The Flemish Museum of Contemporary Art (M HKA) is an institution strongly rooted in the existing fabric and socio-political framework of Antwerp South. The museum is located on the outskirts of the city, which has undergone consistent urban development and urban planning as the city grew into one of the most diverse metropolitan areas in Europe. In this development, the Antwerp Museum of Contemporary Art gradually sought to evolve with society and make way for a larger institutional purpose that pushed the museum agenda towards a more formal and generic interpretation of art spaces and how they are interpreted in light of the current zeitgeist.
In my final project, I revisit the meaning of art presentation in relation to cultural building by reconnecting with MKHA’s historic approach of capturing the essence of conserving and presenting contemporary art, an identity and genesis of an institution that has curated its growing collection between less conventional building layout and architectural fabric.
My design proposal is based on the sustainable idea and design language of reusing existing building tissue, specifically the former courthouse building which is assigned for the new developments of the M HKA or at the time entitled: Vlaams Museum voor Hedendaagse Kunst (VMHK). A building typology that exists of two prefabricated office towers that are connected by a low-rise structural addition and entrance.
Here, the practice of preserving and exhibiting art in an anti-museum condition becomes relevant again through the presence of existing structure and building layout, which, in resemblance to the former MHKA building, reinforces this familiar identity in which exhibiting art bears the title ‘symbiosis between’ anti-museum condition and institutional purpose.