The Grand Theatre Quarter

Experiencing Public Space, Being Inspired by Culture

Master thesis (2022)

Authors

M. Tiraboschi Architecture and the Built Environment

Contributors

O. Caso History, Form & Aesthetics - Architecture and the Built Environment (supervisor 1)
H.L. van der Meel Architectural Engineering - Architecture and the Built Environment (supervisor 2)
M. Mateljan History, Form & Aesthetics - Architecture and the Built Environment (supervisor 2)
M.G.F. Overschie Environmental Technology and Design - Architecture and the Built Environment (supervisor 2)
Faculty
Architecture and the Built Environment
Copyright: © 2022 Matteo Tiraboschi
Heritage Public Space Identity Theatre Quarter Culture 3.0
More Info
expand_more

Published Date

15-06-2022

Language

English

Reuse Rights

Other than for strictly personal use, it is not permitted to download, forward or distribute the text or part of it, without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license such as Creative Commons.

Faculty

Architecture and the Built Environment

Abstract

The massive blast of August 2020 severely damaged Beirut’s architectural heritage. It is in the very city centre that most of this asset is concentrated, but since the end of the 1975-1990 Civil War citizens have been denied access to this area. Here stands the former Grand Theatre, which will be the epicentre of a new artistic quarter that will allow all Beirutis to re-establish a cultural presence in their city centre. Two layers are analysed during this process. First, the Lebanese theatrical scene, which must rely on the flourishing film industry and tourism to recover. Second, the globalised mainstream of Culture 3.0, that has broadened the basin of culture producers and made casual public space act as a proper theatrical stage.