For Deviation

Architecture, Control, and the Beurstraverse

Master Thesis (2026)
Author(s)

M. de Groot (TU Delft - Architecture and the Built Environment)

Contributor(s)

R.R.J. van de Pas – Mentor (TU Delft - Architecture and the Built Environment)

Stavros Kousoulas – Mentor (TU Delft - Architecture and the Built Environment)

Faculty
Architecture and the Built Environment
More Info
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Publication Year
2026
Language
English
Coordinates
51.92000000, 4.47991667
Graduation Date
15-06-2026
Awarding Institution
Delft University of Technology
Programme
Architecture, Urbanism and Building Sciences, Explorelab
Faculty
Architecture and the Built Environment
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Abstract

Contemporary semi-public spaces – spaces that present themselves as public whilst operating under private logics of investment, regulation, and access – increasingly engineer the body as a consumer. This project examines how the apparatus of control operates spatially in one such space: the Beurstraverse, or Koopgoot, in Rotterdam. Drawing on Michel Foucault's disciplinary society, Gilles Deleuze's control society, ByungChul Han's transparency society, and Roberto Esposito's concept of immunisation, the research develops a theoretical framework through which the spatial techniques of control – surveillance, access regulation, monofunctionality, and the production of a hierarchy of legitimate presence – are identified and analysed. A comparative case study of the Beurstraverse, the Lijnbaan, and the Hoogstraat reveals the Koopgoot as an exaggerated instance of neoliberal urban planning: a space that is itself a deviation from the norms of its context. In response, the project proposes an architectural intervention structured around three spatial strategies: to wander (a park and communal garden replacing the retail surface), to bypass (an elevated walkway offering alternative routes beyond the surveillance apparatus and commercial schedule), and to collide (vertical transitions and furnitures that stage encounters between different bodies, speeds, and intentions). The design does not oppose the existing apparatus; it introduces new instruments alongside it, operating under a different logic of non-profitable productivity. The project argues for designing for deviation – not the production of an alternative, but the production of conditions in which alternatives can emerge.

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