Immanent Through Architecture

How may the embodiment of immanence be approached through the stimulation of architecture?

Master Thesis (2022)
Authors

R.F. Teeken (TU Delft - Architecture and the Built Environment)

Supervisors

S. Milinović (TU Delft - Teachers of Practice / U)

Faculty
Architecture and the Built Environment, Architecture and the Built Environment
Copyright
© 2022 Roel Teeken
More Info
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Publication Year
2022
Language
English
Copyright
© 2022 Roel Teeken
Graduation Date
11-08-2022
Awarding Institution
Delft University of Technology
Programme
Architecture, Urbanism and Building Sciences | Explorelab
Faculty
Architecture and the Built Environment, Architecture and the Built Environment
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Abstract

This essay endeavors to unveil how the mechanisms function that are responsible for the fundamental awareness of one’s physical presence in the world. The capacity of architecture to contribute towards towards such a state of being, is a major theme. The essay does this in three consecutive parts. In the first part, the subject’s bodily experience of the world is laid out. It reveals how the body finds vibrant stimulation in the world. In the second part, the thoughtful understanding of the world is discussed. This reveals the subject’s dependency on the mind for active sensibility. In the third and last part, a synthesis between one’s active awareness and its bodily stimulation is presented. This leads to the embodiment of immanence. In this state of being, the turbulent world becomes a symphonic one. The subject may understand the felt, as well as that it may feel the understood. Clear and sharp appreciation of the world around becomes possible. As a part of this world, the subject is actively aware of its own presence too. Through this, one connects to its physical being and one is grounded inside the body and world. Architecture can help ground by revealing the relation between physical stimulation and the understanding that makes it sharp and clear. As a result, the symphony of the vibrant world is revealed, and the subject may dance along.

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