Cable Robots as Conventional Linear Stage Alternatives for the Investigation of Complex-Shaped Objects via Macroscopic X-ray Fluorescence Imaging

The acquisition of elemental and chemical distribution images on the surface of cultural heritage objects has provided us new insights into our past. The techniques commonly employed, such as macroscopic X-ray fluorescence imaging (MA-XRF), in general require pointwise or whisk-broom scanning of an object under constant measurement geometry for...

Comparison of macro x-ray fluorescence and reflectance imaging spectroscopy for the semi-quantitative analysis of pigments in easel paintings: A study on lead white and blue verditer

Macroscopic x-ray fluorescence imaging spectroscopy (MA-XRF) and reflectance imaging spectroscopy (RIS) are important tools in the analysis of cultural heritage objects, both for conservation and art historical research purposes. The elemental and molecular distributions provided by MA-XRF and RIS respectively, are particularly useful for the...

Unveiling the paint stratigraphy and technique of Roman African polychrome statues

If ancient written sources and the visual analysis of polychromies have recently revealed the complexity of the technique of painting on statues and their frequent restoration, the non-invasive punctual chemical analyses carried out do not allow one to access the chemical composition of the different paint layers. This paper presents the...

Out of the blue: Vermeer’s use of ultramarine in Girl with a Pearl Earring

Johannes Vermeer (1632–1675) is known for his brilliant blue colours, and his frequent use of the costly natural ultramarine. This paper reveals new findings about ultramarine in the headscarf of Girl with a Pearl Earring (c. 1665, Mauritshuis). The painting was examined using a range of micro- and macroscale techniques as part of the Girl in...

Separating two painting campaigns in Saul and David, attributed to Rembrandt, using macroscale reflectance and XRF imaging spectroscopies and microscale paint analysis

Late paintings of Rembrandt van Rijn (1606–1669) offer intriguing problems for both art historians and conservation scientists. In the research presented here, the key question addressed is whether observed stylistic differences in paint handling can be correlated with material differences. In Saul and David, in the collection of the Royal...