Within the European context, the Hambach region manifests conflictual and dialectical relationships drawn upon a territory transformed from a constellation of rural villages interrupted by Markwalds - common forests - into a territorial machine shaped by the rhythms of the lignite extraction. While ecologists' movements occupy the remaining forests, the voracious expansion of the mining operations has led to a continuous displacement of many villages - then rebuilt in generic and prefab modules at the minimum cost - while the "abandoned" towns have been re-populated by migrants. A floating solar park, an artificial yet idyllic lake, a void kept as-it-is as a perverse touristic attraction; as the coal phase-out is approaching in 2030, the many proposals for the redevelopment of the region can be read as a collection of ideologies - techno-fix, nostalgic, techno-romantic - which all fail to account for the multiple and diverse conditions of the site. Instead, the thesis investigates how to mediate a relationship with the very site of those conflicts: the soil. Beyond productive purposes and idyllic representations, the soil is understood as a civic milieu - a laboratory for new forms of life. The project addresses the aforementioned issues in the form of a constellation of interventions: a multiplicity of narrations rather than ever-fixed and replicable solutions. An occasion to reflect on and question the implicit power of architecture-as-media that traces relations and to wonder about the quality of these relations as a possible field of agency as an architect: to affirm architecture as a tool in staging the multiplicity of the real.