The authors regret that in the original article, the scale bars in Fig. 4b and 5a were incorrect. The authors also regret errors in the orientation of the atomic planes in Fig. 6e. Additionally, the range of the X-axis in Fig. 9a was twice as large as the correct value, and two numbers in Table 3 were incorrectly shown as 12 and 2.95 instead of the correct values, 0.2 and 6.6. These unintentional errors do not affect any other data or the conclusions of the manuscript. The correct Fig. 4 6, 9 and Table 3 are as shown here. (Figure presented) (Table presented) (Figure presented). The Royal Society of Chemistry apologises for these errors and any consequent inconvenience to authors and readers.

Neutron backscattering spectroscopy with sub-μeV energy resolution has profited over recent years from intensity gains enabled by a phase space transformation (PST) chopper, which is a fast-moving neutron optical component first proposed by Schelten and Alefeld (Internal Report No. Jül1954, KFA Jülich, 1984). Here, we present its principle, the considerations for our technical layout, the related challenges, the mechanical and neutron optical aspects, and tests related to the graphite mosaic crystals, moving with a center velocity of 243 m/s in the scattering plane perpendicular to the reciprocal lattice vector of the reflection. The reported tests of the graphite crystal quality are informative for other neutron optical applications. Our mechanically innovative, most compact PST chopper layout has proven its reliability during user operation in the backscattering spectrometer IN16B, and certain aspects of its design have already been adopted for another backscattering spectrometer. We report the relative intensity gain measured on the backscattering spectrometer IN16B, ILL.

Neutron tomography is gaining popularity particularly in cultural heritage research, for non-destructively analysing the inner structure of bulk metal artefacts, such as bronzes, but the induced temporary decay radiation is often considered as a drawback. However, this delayed gamma-emission can be put to good use: by performing gamma spectroscopy after neutron tomography, the interior elemental composition of artefacts can be obtained “for free”. Inspired by this, we propose a ray-tracing approach to non-invasively quantify both interior geometry and elemental composition using only a single neutron tomography experiment. This strategy aligns well with both the aim for efficient use of neutron beam time and the expectation from curators and conservators for minimal neutron irradiation. Here, we outline the core principle of this method, demonstrate the extent of its quantification capability on bulk objects of known composition by fusing neutron tomography and delayed-gamma spectroscopy data sets. We also showcase its practical application on an ancient solid-cast Indonesian bronze statuette, by which we gain insights into how the pristine inner bronze segregated into a different composition than the surrounding shell. Similarly, the method allows us to quantify the composition of a hidden offering in the statuette that consecrates the bronze for worship purposes.

The evolution of metallurgy is a fundamental aspect related to the knowledge of the technological level of ancient civilizations, for which the information was mostly part of an oral tradition. The ancient, preserved artefacts are the only keepers of this long gone knowledge. Most advanced non-invasive techniques provide us the key to access it. Neutron techniques are nowadays the only available approach for revealing, non-destructively and with good spatial resolution, the morphological and microstructural properties within the whole volume of densely composed artefacts such as bronze statues. Application of neutron methods allows us to learn about ancient artefact manufacturing methods and to study at a very detailed level the current conservation status in their different parts. As part of a research project dedicated to the study of ancient Asian bronzes led by the Rijksmuseum Metal Conservation Department, four statues from the Rijksmuseum Asian collection were analysed using non-invasive neutron techniques. In this work, we present the investigation of a South Indian bronze statuette depicting Shiva in the form of Chandrasekhara (AK-MAK-1291, c. 1000–1200 A.D.) by means of white beam tomography, energy-selective neutron imaging (performed on CONRAD-2 at HZB, DE, and on FISH at TU-Delft, NL), and neutron diffraction (on ENGIN-X at ISIS, UK). The application of neutron imaging revealed the inner structure of the statue and allowed us to investigate the conservation state and potential cracking on the surface and in the bulk, to understand the interconnection of the different sections of the statue, and to obtain clues about the manufacturing processes. These morphological and microstructural results were employed to guide neutron diffraction analyses that allowed us to precisely characterize compositional differences, the presence of dendrites and columnar growth peak structures related to casting. This work is a complete non-invasive analytical investigation on an archaeological bronze artefact, providing outstanding results: from a quantitative analysis of the composition and microstructure to an in-depth morphological analysis capable of unveiling details on the ancient casting methods of the statue.

The ANET project aims at developing 2D compact neutron collimators for neutron imaging applications. The results of the ANET collimator performances, presented in this communication, are based on data collected at the FISH beamline at TU-Delft. Two independent methods to evaluate the neutron radiography resolution are described and discussed, as well as a comparison of the beam divergence with or without the ANET collimator.

The technique of neutron tomography has, after 350 years, enabled a first look inside the iconic single-lens microscopes of Antoni van Leeuwenhoek. Van Leeuwenhoek's 17th-century discovery of "animalcules"marks the birth of microbiology. His skillfully self-produced microscope lenses remained unsurpassed for over 150 years. Neutron tomography now enabled us to reveal the lens types Van Leeuwenhoek used. We argue that Van Leeuwenhoek's instruments incorporate some innovations that testify to an awareness of concurrent developments. In particular, our analysis shows that for making his best-performing microscopes, Van Leeuwenhoek deployed a lens-making procedure popularized in 1678 by Robert Hooke. This is notable, as Hooke always wanted to find the secret of Van Leeuwenhoek's lenses, but never managed to do so. Therefore, Van Leeuwenhoek was far from the isolated scholar he is often claimed to be; rather, his secrecy about his lenses was motivated by an attempt to conceal his indebtedness to Hooke.