This research project addresses the urban development issue of fragmentation in Brussels, Belgium, by using a vacant wasteland as a case study. It examines three key phenomena—Bronxification, Disneyfication, and Brusselization—that have contributed to the city's fragmentation into disjointed patches, a condition referred to as Capsular Urbanism. The research uses a patchwork metaphor to explore borders and boundaries through textiles, aiming to redefine elements that mark urban edges and define border zones to reconnect fragmented urban areas.

The methodological approach combines a literature review, site observation, and metaphorical exploration through textiles. A distinction is made between boundaries, which are physical barriers that create separation, and border zones, which are transitional areas where interactions take place. The research unfolds in two primary stages: examining the physical boundaries of the Friche to understand its structural characteristics and spatial relationships, and using textiles metaphorically to explore strategies for reintegrating urban patches. Findings emphasize the importance of overlaps where interactions happen. By strategically positioning public amenities at these edges and fostering multifunctional spaces within buildings, urban fragments can become interconnected, promoting social engagement and reducing physical and social isolation.

This strategy is applied in the design project for revitalizing an old warehouse currently used for hosting EU Parliament events. Positioned on the border between two municipalities, the site offers an ideal opportunity to address fragmentation in Brussels. The proposal involves expanding the event space and transforming the warehouse into a cultural hub that caters to both EU professionals and the local community. This transformation enhances the building's role as an event venue by turning it into a vibrant, inclusive hub that bridges diverse groups, fostering interaction and unity in a previously fragmented urban area.

Patterns in the universe have been proven enormously important. Moreover, it has been observed to be a method of survival by many organisms in nature. Later, people used this knowledge for ornamental and decorative purposes. It was extensively employed during the Byzantine era to aesthetically support, enhance, or incorporate mosaic scenes and images. However, by adorning structural parts, patterns were also utilised to dematerialize the architecture and conceal the functional from the aesthetical. The majority of patterns were used for delineating content and correspond to the horror vacuii concept; the fear of emptiness. Due to Ravenna's significance at the time, the research focuses on six case studies in Ravenna. The patterns confirm their importance as a result of the repetition with multiple variations in different locations.