I'm focused less on what a building is, or becomes, and more on how we build things. And the critical element which I’m exploring in this ‘how' is love. Which is to say I’m also not proposing a specific methodology for how things should be built, but rather exploring more of a fluctuating and volatile field of relationships and bonds in which we can make things. Which is neither contractural nor formally collective, but a working through, by working on, and being attentive to, our never stable projects of friendship. Because that is the reality which we are always already inescapably a part, and we urgently need to keep thinking about how to work from within that, as uncertain and anxiety-giving as that is. *The project revolves around the construction of a Tower of Love, through a variety of friendships and without building plans.

Violence in relation to architecture is typically viewed in relation to sudden cataclysmic disruptions such as war, natural disaster, slum clearances, or attacks of some kind; or as a blatant exercise of containment such as prisons, borders, or surveillance watch towers; or perhaps in the construction of buildings via slave labor, or monuments that serve to legitimize violent authority through building facades, plazas or promenades.
This paper shifts a thinking about architecture and violence to embodied, and accumulated, slow violences that are inflicted upon bodies and social relations within an environment, over long stretches of time. A shift from moment to duration, this paper investigates what the logics embedded and inherited from specific spatial arrangements does to the inhabitant. An argument is made that violence is enacted through the built environment, through the (re) production of the maintenance of a particular system of order, that is not un- connected to singular moments of ‘violence’ but contains these moments, along with the seemingly banal, within a processual unfolding.
This is done by illustrating a case study of the creation of the urban district of the Oude Noorden in Rotterdam, as it transformed into poldered parcel plots and then to housing blocks in the late 19th century, on the periphery of a rap- idly expanding colonial port city.