The thesis examines the unbuilt Suprematist architecture through the architectural drawings made by Russian artist Kazimir Malevich (1878-1935) over the period 1923-24. By looking into the expression of non-objectivity in the built object, the study complements the current body of knowledge of Suprematism and architectural form development in the twentieth century. The research is constructed of a literature review and analysis of three architectural drawings by Malevich. Malevich envisioned an urban environment which form originates from Suprematist principles. Although the thesis has been able to establish the relation between Suprematism and the architectural form, there remains discussion to whether architectural principals or utopianism underlie the argument to why Suprematist architecture has not been constructed.