A juicy orange makes for a tastier juice: The neglected role of visual material perception in packaging design

Soft like velvet and shiny like satin: Perceptual material signatures of fabrics depicted in 17th century paintings

Material properties and image cues for convincing grapes: The know-how of the 17th-century pictorial recipe by Willem Beurs

Painterly depiction of material properties

Effects of light map orientation and shape on the visual perception of canonical materials

Understanding gloss perception through the lens of art: Combining perception, image analysis, and painting recipes of 17th century painted grapes

Visual Light Zones

Contextual effects on real bicolored glossy surfaces

The creation of SenseLab: a laboratory for testing and experiencing single and combinations of indoor environmental conditions

MatMix 1.0: Using optical mixing to probe visual material perception

Perception of length to width relations of city squares

Mixing material modes

Box spaces in pictorial space: Linear perspective versus templates

Perceptual qualities of optically mixed materials (extended abstract)

Relative flattening between velvet and matte 3D shapes: Evidence for similar shape-from-shading computations

Illusory gloss on Lambertian surfaces

Illusory gloss on Lambertian surfaces

Haptic perception disambiguates visual perception of 3D shape