Historically, transportation infrastructure particularly underground transit hubs has been characterized by heavy, imposing, and closed architectural typologies. This graduation project proposes a departure from this monumental tradition. It redefines the public transit hub as a transparent, subtle, and human-centric urban node. The research explores how infrastructure can transcend its purely functional role as a machine for movement, transforming into an interconnected spatial environment that bridges the gap between the urban fabric and the human scale.
The architectural design in Tallinn is fundamentally driven by a contrasting spatial division. Above ground, the project responds to the fine-grained urban grid through the delicate insertion of three modest, small-scale buildings. These structures blend subtly into the city, forming a soft transition to the heavy infrastructure. Underground, the project manifests as a highly functional, yet it also offera a rich and pleasant spatial expierence for travelers.
By situating the large-scale functional spaces below ground, the street level is kept open and free. This allows for the creation of a new, continuous urban park landscape directly within the city center. This park functions as the ultimate connective tissue, it not only integrates the various modes of transport (train, bus, bicycle and parking facilities) but also stitches the fragmented surrounding neighborhoods back together.
The final architectural and urban experience is guided through four main spatial themes: the manipulation of light, clear sightlines, the integration of the park, and the introduction of drama to create spatial tension and a heightened sensory experience into the transit landscape. ... Read more

The project proposes a transformation of the Dominican Monastery in Tallinn, into a
contemporary version of the monastery for the 21st century. It explores an alternative
reinterpretation of ‘spiritual’ architecture, by working with a light and open structure where spaces are interconnected, instead of individual spaces closed off by thick walls. It offers users a counter-space to the high-paced and performative society we live in today, where they can take a breath, wind-down and reflect on themselves. This is done by a mix of library spaces, meditation spaces, yoga area’s,... where users are free to use the space they need. By transforming a heritage building, it suggests a way of dealing with heritage that has already lost part of its completeness or meaning, by giving it a purpose once again. ... Read more

This project sits at the threshold of two important centers of the city of Tallinn, and attempts to make this threshold less of a barrier and more of a pleasant, non-commercial public connection in the city. The project itself is characterized as two boxes. One is formal, solid, and used for orchestral and choir performances. The other is porous, permeable, and accessible as a quality public space for the city. Performances can still happen here, but the setting is informal and free to use. The first box brings a sense of monumentality and gravitas as a large concert hall to this project, while the other makes it possible for the public to engage with it daily, without being a commercial public space. The two are connected by a transparent shell that brings the street in and acts as a foyer to the concert hall.
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Standing within the Patarei Sea Fortress, one is confronted with walls that bear the scars of a traumatic past. While the International Museum for the Victims of Communism gives a vital voice to this heritage, visitors are met with a deafening silence as they leave. This project occupies that silence.

Rooted in the concept of *religare*—to re-link or reconnect—this project proposes a public pavilion that negotiates the threshold of Patarei Sea Fortress, introducing spaces for both internal and external reconnection. The museum’s necessary display of historical trauma is complemented by a narrative of hope and appreciation, with the understanding that this contrast ultimately strengthens both.

This project does not aim to erase the traumatic memory of Patarei Sea Fortress. Rather, it creates a space for people to absorb the experience and reflect upon it. It explores how we may build for the soul in a post-secular world, keeping our gaze fixed on the horizon even as we reflect on the past.
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Tallinn is a coastal city that has long lacked a meaningful connection to the sea. Although public access to the waterfront is improving, the sea is still often experienced as a distant backdrop rather than an active part of the city, with few architectural or urban features addressing its presence. This thesis investigates how architectural design can reconnect Tallinn’s urban life to the sea.

The project addresses this question by designing a coastal fish market between Kalasadam and Linnahall. The proposal expands a function already present on the site but currently limited by architectural and spatial shortcomings. Through programme, composition, spatial sequence, and coastal identity, the project explores how architecture can make the working coast visible, accessible, and public.

The result is a split-level fish market where production and storage are organised at sea level, while the public market sits above. The building develops into a tripartite market hall: a flexible civic structure defined by light, repeated structural frames. Its public square extends this logic outward, serving both as civic space and as a working harbour floor. The approach from the Old Town supports the project by strengthening orientation towards the market, while the main architectural focus remains the building itself.

Beyond Tallinn, the project suggests that low-intensity coastal cities can be activated by strengthening existing social hubs and urban axes, rather than relying on isolated landmarks. In this way, architecture can help establish the sea as a visible and living part of everyday urban life. ... Read more

The lack of evidence-based architectural guidelines for accommodating diverse sensory needs in everyday public buildings are adressed in this thesis. Rather than relying on a singular “low-stimulus” room as the primary response to neurodivergent users, the research argues for a more integrated and inclusive spatial approach that recognises neurocognitive diversity as part of human diversity. The study asks how architectural strategies can support a range of sensory profiles without positioning neurodivergence as a deviation from the norm.

Through the analysis of case studies, the research identifies recurring spatial conditions that shape sensory experience in the built environment. These conditions are interpreted through Winnie Dunn’s four sensory processing patterns: sensation seeking, sensation avoiding, sensory sensitivity, and low registration. The outcome of this research is a set of design guidelines intended to support designers in developing more inclusive architectural solutions. ... Read more

This thesis responds to the brief of the miscarried 2021 competition for a new architecture and archive center for the VAi (Vlaams Architectuurinstituut). Instead of placing the archive in an existing century old church in Berchem, as proposed in the competition, this project reuses existing infrastructures - both built and institutional. Now, the project is situated in deSingel, an international art campus located on the fringes of Antwerp, where the current offices and exhibition spaces of the VAi are situated.

The project proposes a “strategic reuse and densification” of DeSingel to clarify and intensify its spatial logic through two phases (phase 1: densification and phase 2: strategic reuse).

First, a new 5,500 m² volume is added at the southeast edge of the site, adjacent to the terraces. It houses the main archive depot along public-facing programs such as a new restaurant, a reading room, office spaces and a seminar room for the different publics of deSingel. The second phase consists of a series of smaller interventions that repair the existing circulation loops and enhance the continuity and legibility of the West-East axis. This renewed axis connects the new archive in the East to the West by distributing the functions of the VAi along that line. Accordingly, a new entrance is created on the western side. Further along the promenade toward the East, exhibition spaces are reintroduced in the southern corridors, leading to the newly added volume, which redefines the end of this promenade architecturale by transforming a former dead end into a new interior crossroad.

The project offers a dual benefit: it addresses circulation issues while defining a previously underused area. At the same time, it engages with the existing context by reusing elements of the deSingel program (Black Hall, Offices, Library, Exhibition Corridor).
In this way, the project becomes a dialogue between the new and the old.

Between modernity and the present stakes.

In the interiors, the materiality reinforces this conversation. The existing exposed aggregate concrete walls, designed by modernist architect Léon Stynen, are layered with a new rammed earth core for the depot storage. Both materials convey a sense of mass, but in the context of an archive, rammed earth offers additional benefits over concrete: providing thermal mass and natural humidity control.
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The research explores the impact of rapid infrastructural growth on Elephanta island and the informal economy that exists there. Located at the intersection of heritage, mass tourism, and sacred architecture. ... Read more

This graduation project proposes a building design as a solution for the relocation of the Flanders Architecture institute. The institute collects, stores and shares the archives of Flemish architects and have a mission to be pro-active in their interactions with the public. The VAi has been wanting to relocate their entire institute to art campus DeSingel, located on the edge of Antwerp’s city center. In this new building, they want to house both their public and private functions; a storage depot, processing ateliers, public spaces and offices. This design reconsiders the dichotomy of public and private the VAi deals with in their policy and architecture. Concepts like nature-inclusive design, sustainability, identity and representation are key in the proposed design, which comprises the addition of a new building wing to the existing volume of DeSingel. Furthermore, a landscape design including a large pond -a restoration of DeSingel’s original pond, is proposed. ... Read more

The graduation project of the studio "Interiors Buildings Cities 24/25" resembles a potential extension of the Art Campus DeSingel, located in Antwerp, Belgium accommodating the VAi. The design proposal represents an innovative and creative manner to identify the notion of archiving and displaying. Repairing the dialog between Léon Stynen and Stéphane Beel is thus one of the main strategies in order to re-establish a new connection between archive materials from the VAi and the city of Antwerp. By bringing people in, archives are brought on a display to the public and the urban corner of DeSingel is activated. ... Read more

i designed a 180m-long bridge building and a compact, integrated archive volume. academically, i explored a space type that extends public interiors into landscape and infrastructure. it requires imagination across city and spatial detail scales.
socially, i created a visionary infrastructure. as an extension of the original spatial spine, it reconnects parcels separated by roads and opens up new axial possibilities.
its translucent volume expresses an open archiving attitude. its position avoids altering the front of deSingel, respecting collective memory. at the same time, it confronts car-dominant infrastructures and expresses urban spatial justice. ... Read more

The Flanders Institute of Architects (VAi) collection in Antwerp has outgrown its current building in the city’s historical center, which no longer meets the needs of the collection, staff, or public visibility. VAi is exploring the possibility of relocating and uniting with its counterpart, the VAi office, at deSingel—a modernist cultural campus designed by Leon Stynen and expanded by Stephan Beel. Currently home to multiple institutions, including the Royal Conservatorium and deSingel Art Campus, this fragmented site on the city’s outskirts offers an opportunity to reimagine its state.

The design proposal aims to reorganize, adapt, and extend deSingel, enhancing the performance of this cultural campus, respecting its architectural qualities, and integrating a 4,000m² architectural archive with its affiliated programs.

The project juxtaposes the site's conditions with the vision for a contemporary archive. It was about finding alignment between the two and balancing the necessary compromises. The design borrows features from the existing building while also giving qualities back. It is about asserting a clear identity for the VAi and fostering integration within deSingel’s existing ensemble.
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The VAi (Flanders Architecture institute) is in urgent need of a new archival building in Antwerp, Belgium. This project is about designing that very building, and explores how an archive can become more public and take on a stronger role in the city. ... Read more

This year the Interiors Buildings Cities graduation studio focused on a proposal of an architecture archive for the Flanders Architecture Institute (VAi) set in the context of the Cultural Campus of De Singel in Antwerp.

Following up on the intetions and brief of a failed competition for the VAi's new archive. The project aims to rethink possibilities of the institution's development through the scope of their current situation and position as part of De Singel Cultural Campus. Aiming to reuse and transform the existing spaces of the complex to accomodate growing needs of the institution. Creating an environment which would align with values and position of the institution itself. Negotiating the use of shared spaces in light of its public responsibilities and proposing new built volume based on study and reinterpretation of material culture as found on site.

The aim is to create an archive that serves not as mere repository of knowledge, but engages in its production. Through inter-institutional collaboration remaining receptive of ongoing cultural discourse. ... Read more

This year, the Interiors Buildings Cities graduation studio focused on relocating the VAi (Flemish Architecture Institute) archive from the city centre of Antwerp to the DeSingel campus, aiming to bring together its activities within a unified setting. Situated at the city’s edge, DeSingel was originally conceived by Léon Stynen as a cultural hub embedded in the landscape, with raised terraces, open courtyards, and carefully composed views. Over time, however, later additions, particularly Beel’s 2010 extension, fragmented the spatial clarity and weakened the building’s relationship to its surroundings.

This project seeks to restore that coherence. A new architectural wall is introduced along the southern façade, drawing on the historical logic of the Brialmont Ramparts. It acts as a threshold shielding the campus from the highway and forming a quiet, inward-facing courtyard. The archive is housed within this structure, making it a central and visible part of the design.

Circulation is reconnected and a series of gardens help rebuild the link between architecture and landscape. The terraces, once neglected and exposed, are reimagined as contemplative spaces with framed views.

Together, these interventions create a unified and welcoming campus where architecture, landscape, and the VAi’s mission come together to strengthen its presence and encourage greater public engagement. ... Read more

The Stockholm Library, opened in 1928, was designed by the notable Swedish architect Erik Gunnar Asplund. From its beginning, the library was an important element of the city's architecture as well as its social infrastructure. Nowadays the library asks for a change, following the new society and its challenges.
The project proposes an extension, respecting the monumentality of the existing structure, complimenting it and reinforcing its relation with the surrounding. The new structure should address the lack of scale and program diversity, offering a unique infrastructure where contemporary society would provide their needs and strengthen their relationships.
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