R. Sennema
Please Note
35 records found
1
The Rise and Fall of Plan C
A Historical Analysis on Rotterdam’s Urban Development
Through archival research and analysis of primary and secondary sources, the establishment, evolution, and eventual demise of Plan C is investigated. Primary sources include architectural archives, historical documents, and visual materials from the Rotterdam Stadsarchief and Nieuwe Instituut. Secondary sources encompass scholarly articles, newspaper clippings, and historical books, providing comprehensive insights into Plan C’s historical significance and urban impact.
The journey of Plan C in Rotterdam encapsulates the city’s urban evolution and societal challenges. From its inception as a traffic solution to its demise during World War II, it intertwines with Rotterdam’s growth narrative. Plan C’s establishment in 1889 marked a milestone, reflecting forward-thinking urban planning amid mixed sentiments. Initially thriving, it later declined due to demographic shifts and economic challenges. World War II’s bombing ended its existence, leaving behind a reminder of resilience and urban adaptation. Plan C’s story highlights urban complexities, emphasizing the importance of thoughtful planning and preservation amid urban evolution.
Overall, this research offers valuable insights into the complexities of urban renewal and the enduring significance of architectural heritage in shaping sustainable urban environments. ...
Through archival research and analysis of primary and secondary sources, the establishment, evolution, and eventual demise of Plan C is investigated. Primary sources include architectural archives, historical documents, and visual materials from the Rotterdam Stadsarchief and Nieuwe Instituut. Secondary sources encompass scholarly articles, newspaper clippings, and historical books, providing comprehensive insights into Plan C’s historical significance and urban impact.
The journey of Plan C in Rotterdam encapsulates the city’s urban evolution and societal challenges. From its inception as a traffic solution to its demise during World War II, it intertwines with Rotterdam’s growth narrative. Plan C’s establishment in 1889 marked a milestone, reflecting forward-thinking urban planning amid mixed sentiments. Initially thriving, it later declined due to demographic shifts and economic challenges. World War II’s bombing ended its existence, leaving behind a reminder of resilience and urban adaptation. Plan C’s story highlights urban complexities, emphasizing the importance of thoughtful planning and preservation amid urban evolution.
Overall, this research offers valuable insights into the complexities of urban renewal and the enduring significance of architectural heritage in shaping sustainable urban environments.
The Architectural Legacy of Colonial Buildings in Jakarta
Preservation Endeavors: Unveiling Indonesia’s Cultural Heritage
From colonies to constructs
Navigating power dynamics through Dutch colonial architecture in the Dutch East Indies
The paradigmatic shift in Dutch water management culture
The case study of Nijmegen in the Room for the River program
The pivotal concepts of decentralization of the decision-making process towards a bottom-up approach, and the one of spatial quality strongly embedded in the design phase, are analyzed and discussed, first on a general level and then relating to the specific case study.
The outcome of the project is analyzed through the interviews, understanding the point of view of the involved stakeholders and their perception on the execution of the works, and discerned with the mapping tool, comparing the information gathered personally during visits on site to the information extracted from the interviews. Moreover, challenges such as the unforeseen uses of the designed spaces are taken into consideration in the personal analysis and discussed at the end of the research, providing possible implementation to the process for the future. ...
The pivotal concepts of decentralization of the decision-making process towards a bottom-up approach, and the one of spatial quality strongly embedded in the design phase, are analyzed and discussed, first on a general level and then relating to the specific case study.
The outcome of the project is analyzed through the interviews, understanding the point of view of the involved stakeholders and their perception on the execution of the works, and discerned with the mapping tool, comparing the information gathered personally during visits on site to the information extracted from the interviews. Moreover, challenges such as the unforeseen uses of the designed spaces are taken into consideration in the personal analysis and discussed at the end of the research, providing possible implementation to the process for the future.
The metaphorical stitching of the architectural and fashion disciplines
An insight into the history of fashion and architecture collaboration and the modern influence of the 3D printer
Learning from Libraries
Understanding inclusivity within libraries
advocating for inclusivity for everyone. Through their commitment, libraries have created a welcoming environment for individuals with disabilities, unlike many other aspects of their lives, where exclusion remains a problem. This thesis offers a fresh perspective and calls for a more wholehearted embrace of inclusivity in our built surroundings. ...
advocating for inclusivity for everyone. Through their commitment, libraries have created a welcoming environment for individuals with disabilities, unlike many other aspects of their lives, where exclusion remains a problem. This thesis offers a fresh perspective and calls for a more wholehearted embrace of inclusivity in our built surroundings.
The power of city branding
Exploring the relationship between Rotterdam’s branding efforts and the gentrification of Katendrecht since the 1970s
Disneyland’s visitors are able to substitute real-world experiences with those in the park (e.g. a riverboat safari), as they are perceived to embody the essence of reality, so form hyperreality However, ultimately visitors are always aware that the park is fabricated fantasy. This is where Bensley’s hotels differ from Disneyland. By grounding the hotels in site-specificity and authenticity, many visitors believe his hotels to embody the local vernacular, and to be truthful depictions of history, and thus they are more influential on visitor perceptions. Thus, this thesis uses analysis of guest reviews, travel articles and hotel photographs to demonstrate how his designs can lead to misunderstandings about local culture. Working within the framework of heritage, orientalism, and colonialism discussions, the thesis utilises critical discourse analysis to examine whether the image resulting from Bensley’s design choices perpetuates stereotypes whilst achieving escapism. Bensley’s work is particularly pertinent in this discussion as his maximalist, theatrical approach makes the celebration of surrounding heritage explicit. His work exaggerates the placemaking strategies commonplace throughout South-East Asian hotels, and so it can be used to exemplify more widespread trends in hotel design. ...
Disneyland’s visitors are able to substitute real-world experiences with those in the park (e.g. a riverboat safari), as they are perceived to embody the essence of reality, so form hyperreality However, ultimately visitors are always aware that the park is fabricated fantasy. This is where Bensley’s hotels differ from Disneyland. By grounding the hotels in site-specificity and authenticity, many visitors believe his hotels to embody the local vernacular, and to be truthful depictions of history, and thus they are more influential on visitor perceptions. Thus, this thesis uses analysis of guest reviews, travel articles and hotel photographs to demonstrate how his designs can lead to misunderstandings about local culture. Working within the framework of heritage, orientalism, and colonialism discussions, the thesis utilises critical discourse analysis to examine whether the image resulting from Bensley’s design choices perpetuates stereotypes whilst achieving escapism. Bensley’s work is particularly pertinent in this discussion as his maximalist, theatrical approach makes the celebration of surrounding heritage explicit. His work exaggerates the placemaking strategies commonplace throughout South-East Asian hotels, and so it can be used to exemplify more widespread trends in hotel design.
What to do with Swarttouw's warehouses
Breakbulk warehouses of Rotterdam
Memories on reclaimed land: The defamiliarization of Weld Quay in George Town
How does the memory of place correlate with the transformation of Weld Quay over time and defamiliarizing the experience and perception of place?
Evolution of New York City's Approach to Natural Hazards
Adaptations and Strategies adressing Flooding from Hurricanes and Storm Surges
New York City, the most densely populated city in the U.S., has been facing flooding dated since 1788, and has a long list of historical records on this issue. The devastating superstorm of Hurricane Sandy in 2012, which flooded the streets, subways, and tunnels, caused around $65 billion in damages, and led to the loss of many homes. This catastrophic event raised global warming awareness and spurred action to protect the city's waterfronts. From using leftover oyster shells as a natural flood protection system to funding multi-billion-dollar projects, New York City began taking steps to safeguard itself from natural disasters.
In New York City's Lower East Side, Bjarke Ingels Group partnered with multiple engineers and planners to develop a proposal for a 10-mile protective zone along the waterfront. This project was conceptualized as a part of the Rebuild by Design Hurricane Sandy Competition in 2019. The central idea behind the project is to leverage elevated parklands, floodwalls, berms, and movable floodgates to shield communities and the $500 billion economic sector along the New York shore from the impact of natural disasters. Described by Bjarke Ingels “as the love-child of Robert Moses and Jane Jacobs," (Wainwright, 2015) the project represents a major step in the history of flood protection and social encouragement for residents to interact with the New York Dryline.
This project aims to merge the urban planning principles of Jane Jacobs, who advocated for natural growth without demolition, and Robert Moses, who emphasized on redevelopment. It combines innovative ideas with a rich historical background of the city to examine why New York City only responded to natural disasters after a subsequent calamity and whether the city can formulate an all-encompassing strategy for managing natural hazards by drawing on its past experiences. Besides investigating the history of natural disasters in the city, this paper provides a critical evaluation of the proposed adaptation strategies throughout its history.
RESEARCH QUESTION
How has New York City's approach to natural hazards, particularly flooding caused by hurricanes and storm surges, evolved throughout history and what adaptations have been implemented to address these challenges?
...
New York City, the most densely populated city in the U.S., has been facing flooding dated since 1788, and has a long list of historical records on this issue. The devastating superstorm of Hurricane Sandy in 2012, which flooded the streets, subways, and tunnels, caused around $65 billion in damages, and led to the loss of many homes. This catastrophic event raised global warming awareness and spurred action to protect the city's waterfronts. From using leftover oyster shells as a natural flood protection system to funding multi-billion-dollar projects, New York City began taking steps to safeguard itself from natural disasters.
In New York City's Lower East Side, Bjarke Ingels Group partnered with multiple engineers and planners to develop a proposal for a 10-mile protective zone along the waterfront. This project was conceptualized as a part of the Rebuild by Design Hurricane Sandy Competition in 2019. The central idea behind the project is to leverage elevated parklands, floodwalls, berms, and movable floodgates to shield communities and the $500 billion economic sector along the New York shore from the impact of natural disasters. Described by Bjarke Ingels “as the love-child of Robert Moses and Jane Jacobs," (Wainwright, 2015) the project represents a major step in the history of flood protection and social encouragement for residents to interact with the New York Dryline.
This project aims to merge the urban planning principles of Jane Jacobs, who advocated for natural growth without demolition, and Robert Moses, who emphasized on redevelopment. It combines innovative ideas with a rich historical background of the city to examine why New York City only responded to natural disasters after a subsequent calamity and whether the city can formulate an all-encompassing strategy for managing natural hazards by drawing on its past experiences. Besides investigating the history of natural disasters in the city, this paper provides a critical evaluation of the proposed adaptation strategies throughout its history.
RESEARCH QUESTION
How has New York City's approach to natural hazards, particularly flooding caused by hurricanes and storm surges, evolved throughout history and what adaptations have been implemented to address these challenges?
Voices, values, and the urban village
An imagined roundtable for Cha Kwo Ling
Thus, this thesis analyses four perspectives - namely the Government, the Developer, the Villager, and the Hong Konger - to understand their respective valuations of CKL Village, and whether there are potentials amidst their similarities and differences. In academia, these perspectives have previously been addressed in relation to Hong Kong's heritage; but since the Anti-Extradition Law Movement (2019), there is a need to renew the understanding of these societal stakeholders and their motivations.
Thus, this thesis serves as a theoretical rehearsal of gathering and aligning different voices, utilising UNESCO's values and attributes framework, and resonating with the first two steps of the Historic Urban Landscape concept.
In doing so, the thesis presents two key critiques against the Hong Kong Government's current heritage mechanism. Firstly, the underlying monument-based approach that fails to address heritage assets in the form of groups and landscapes. Secondly, the reluctance to engage with the existing communities who currently occupy the heritage. Finally, as the thesis framework has revealed specific and different interests for each perspective, it calls for an active negotiation between them, beyond the scope of thesis writing. ...
Thus, this thesis analyses four perspectives - namely the Government, the Developer, the Villager, and the Hong Konger - to understand their respective valuations of CKL Village, and whether there are potentials amidst their similarities and differences. In academia, these perspectives have previously been addressed in relation to Hong Kong's heritage; but since the Anti-Extradition Law Movement (2019), there is a need to renew the understanding of these societal stakeholders and their motivations.
Thus, this thesis serves as a theoretical rehearsal of gathering and aligning different voices, utilising UNESCO's values and attributes framework, and resonating with the first two steps of the Historic Urban Landscape concept.
In doing so, the thesis presents two key critiques against the Hong Kong Government's current heritage mechanism. Firstly, the underlying monument-based approach that fails to address heritage assets in the form of groups and landscapes. Secondly, the reluctance to engage with the existing communities who currently occupy the heritage. Finally, as the thesis framework has revealed specific and different interests for each perspective, it calls for an active negotiation between them, beyond the scope of thesis writing.
A Study on the Water Treatment System in the Ancient Chinese Village of Hongcun
Focus on its sustainable and aesthetic values and its value as a model for the modern concept of the sponge city
Totalitarian heritage
Contemporary reconstruction of the Haus der Kunst and the Space Pavilion at the V.D.N.H.
This situation leads to a critical reflection on the «difficult heritage» and sometimes to the complete neutralization of its negative meaning. Often the initiator of the reconstruction of such sites is the state, and the authors are prominent architects who offer their solutions in projects connected with historical memory. This paper analyzes recent examples of interaction between architects and architectural objects from the heritage of the German and Soviet dictatorships - the Haus der Kunst reconstruction project in Munich (David Chipperfield Architects, 2016) and the Space Pavilion of the V.D.N.H. reconstruction project in Moscow (MS Architects, 2016). The paper aims to identify the basic principles of modern German and Russian architects' work with «difficult heritage» and to find similarities and differences between them. The architectural reconstruction projects of the Haus der Kunst in Munich (2016) and the Space Pavilion at the V.D.N.H. (Exhibition of Achievements of National Economy) in Moscow (2016) are compared, as well as the exhibitions presented in these museums, the statements of the authors of the projects and public discussions around them. This work draws attention to the problem of ways to rethink «difficult heritage» and enriches the discussion of it with detailed research of contemporary architectural projects.
...
This situation leads to a critical reflection on the «difficult heritage» and sometimes to the complete neutralization of its negative meaning. Often the initiator of the reconstruction of such sites is the state, and the authors are prominent architects who offer their solutions in projects connected with historical memory. This paper analyzes recent examples of interaction between architects and architectural objects from the heritage of the German and Soviet dictatorships - the Haus der Kunst reconstruction project in Munich (David Chipperfield Architects, 2016) and the Space Pavilion of the V.D.N.H. reconstruction project in Moscow (MS Architects, 2016). The paper aims to identify the basic principles of modern German and Russian architects' work with «difficult heritage» and to find similarities and differences between them. The architectural reconstruction projects of the Haus der Kunst in Munich (2016) and the Space Pavilion at the V.D.N.H. (Exhibition of Achievements of National Economy) in Moscow (2016) are compared, as well as the exhibitions presented in these museums, the statements of the authors of the projects and public discussions around them. This work draws attention to the problem of ways to rethink «difficult heritage» and enriches the discussion of it with detailed research of contemporary architectural projects.
Heritage dwelling buildings in urban change
The change process of the quadrangle during the reform and opening-up period of China
Capturing the atmosphere
Sep Ruf's architecture of reconstruction as a reflection of social change in post-war Munich
This thesis analyses three case studies of Ruf‘s work during the first phase of post-war modernism from 1945 to 1963. It provides a historical and architectural analysis, as well as a socio-societal analysis based on local newspaper articles from the era, demonstrating how Ruf‘s architecture responded to various social challenges after World War II and encouraged public debates about evolving social values in the public, private, and religious domains. The construction of Munich’s first high-rise apartment building Theresienstraße (1950-51) was a low-cost social housing project, which offered high-quality living conditions to all social classes. The transparent facades and publicly accessible courtyards of the Neue Maxburg (1952-58) were emblematic of a new social and legal democratisation and stand for Munich’s reintegration into the European and international world community. The modern formal language of the church of St. Johann von Capistran (1957-60), built in the course of the Eucharistic World Congress in Munich, was a precursor of the liturgical reformation of the 1960s. Overall, this paper highlights Sep Ruf’s contribution to the development of post-war modernism and the broader social and cultural changes of the time in Munich. ...
This thesis analyses three case studies of Ruf‘s work during the first phase of post-war modernism from 1945 to 1963. It provides a historical and architectural analysis, as well as a socio-societal analysis based on local newspaper articles from the era, demonstrating how Ruf‘s architecture responded to various social challenges after World War II and encouraged public debates about evolving social values in the public, private, and religious domains. The construction of Munich’s first high-rise apartment building Theresienstraße (1950-51) was a low-cost social housing project, which offered high-quality living conditions to all social classes. The transparent facades and publicly accessible courtyards of the Neue Maxburg (1952-58) were emblematic of a new social and legal democratisation and stand for Munich’s reintegration into the European and international world community. The modern formal language of the church of St. Johann von Capistran (1957-60), built in the course of the Eucharistic World Congress in Munich, was a precursor of the liturgical reformation of the 1960s. Overall, this paper highlights Sep Ruf’s contribution to the development of post-war modernism and the broader social and cultural changes of the time in Munich.
Compared to other colonial cities in Peninsular Malaysia, Kuching gained little attention from scholars and historians due to its less significant location on the periphery of the British Crown Colonies. Analysis of archival maps and first-account sources revealed the growth of Kuching from a riverine settlement to a vibrant port city under the governance of the Brooke administration, founded by Sir James Brooke and succeeded by his bloodline. Since the White Rajahs enjoyed more autonomy from the British regime during their rule, they adopted a hybrid approach to urban planning by incorporating local settlement patterns within the city’s expansion. The result is a collage of formal and informal forms in Kuching’s urban fabric, reflecting the vernacular qualities of its multicultural population.
Beyond direct influences on urban morphology, there are remnants of colonial themes within the economy, social structures, and future planning strategies of post-independence Kuching. The heavy focus on commercial activities around the Sarawak River port during the early 20th century resulted in underdeveloped secondary industries and an influx in rural-to-urban migration, with lasting impacts still visible today. Moreover, colonial social engineering - most apparent in land tenure legislation, created biased perceptions of political space and racially segregated enclaves. Anthony D. King (1977) also traced the export mechanism of Western urban planning from educational institutions and planning bureaus left behind by colonial powers after granting colonies their independence.
Overall, the research highlights the impacts of Western ideals in post-colonial Kuching and the growing awareness to preserve its rich cultural heritage as a port city. This study aims to contribute to the ongoing discussion on urbanism in growing societies and provide valuable insights for urban planners, policymakers, and researchers.
...
Compared to other colonial cities in Peninsular Malaysia, Kuching gained little attention from scholars and historians due to its less significant location on the periphery of the British Crown Colonies. Analysis of archival maps and first-account sources revealed the growth of Kuching from a riverine settlement to a vibrant port city under the governance of the Brooke administration, founded by Sir James Brooke and succeeded by his bloodline. Since the White Rajahs enjoyed more autonomy from the British regime during their rule, they adopted a hybrid approach to urban planning by incorporating local settlement patterns within the city’s expansion. The result is a collage of formal and informal forms in Kuching’s urban fabric, reflecting the vernacular qualities of its multicultural population.
Beyond direct influences on urban morphology, there are remnants of colonial themes within the economy, social structures, and future planning strategies of post-independence Kuching. The heavy focus on commercial activities around the Sarawak River port during the early 20th century resulted in underdeveloped secondary industries and an influx in rural-to-urban migration, with lasting impacts still visible today. Moreover, colonial social engineering - most apparent in land tenure legislation, created biased perceptions of political space and racially segregated enclaves. Anthony D. King (1977) also traced the export mechanism of Western urban planning from educational institutions and planning bureaus left behind by colonial powers after granting colonies their independence.
Overall, the research highlights the impacts of Western ideals in post-colonial Kuching and the growing awareness to preserve its rich cultural heritage as a port city. This study aims to contribute to the ongoing discussion on urbanism in growing societies and provide valuable insights for urban planners, policymakers, and researchers.